'J. M. Coetzee—winner of the Nobel Prize for Literature, twice winner of the Man Booker Prize—is one of the world’s most celebrated and intriguing authors. Yet the heart of his fiction remains elusive.
'In J. M. Coetzee and the Life of Writing, David Attwell explores the extraordinary creative processes behind Coetzee’s novels, from Dusklands to The Childhood of Jesus. Through a close examination of Coetzee’s manuscripts, notebooks and research papers, Attwell reveals the strong autobiographical thread that runs through his work, convincingly demonstrating that Coetzee’s writing proceeds with never-ending self-reflection.
'A preeminent Coetzee scholar, Attwell offers fascinating insight into one of the most important and opaque literary figures of our time.' (Publication summary)
Coetzee's outstanding position within contemporary literature may be put down to an apparently conflicting intellectual stance. Coetzee, for one thing, has always cherished a transpersonal (if not metaphysical) category of truth: "We are born", he writes in 1992. "with the idea of the truth' (DP 395). Brought up in a South-African society with racist and various other sociocultural forms of discrimination, a sensitive liberal such as Coetzee must be accurate when it becomes inevitable to draw boundaries and assign responsibility. On account of his colonial heritage. with Polish and German forbears, an Afrikaans family (and an Anglo-American sense of values),Coetzee is related more to the perpetrators than the victims. Under the apartheid-regime he was forced to cope with the pailful distortion of the truth through state censorship, while his extensive reading of 19th'century Russian moralists had a formative influence on his unwavering moral outlook which presupposes knowledge of what is true or false, right or wrong.' (Introduction)
Coetzee's outstanding position within contemporary literature may be put down to an apparently conflicting intellectual stance. Coetzee, for one thing, has always cherished a transpersonal (if not metaphysical) category of truth: "We are born", he writes in 1992. "with the idea of the truth' (DP 395). Brought up in a South-African society with racist and various other sociocultural forms of discrimination, a sensitive liberal such as Coetzee must be accurate when it becomes inevitable to draw boundaries and assign responsibility. On account of his colonial heritage. with Polish and German forbears, an Afrikaans family (and an Anglo-American sense of values),Coetzee is related more to the perpetrators than the victims. Under the apartheid-regime he was forced to cope with the pailful distortion of the truth through state censorship, while his extensive reading of 19th'century Russian moralists had a formative influence on his unwavering moral outlook which presupposes knowledge of what is true or false, right or wrong.' (Introduction)
