Cirrus@Austlit

'The romance novel—persistently at once one of the most popularly successful genres from the eighteenth century to today, and one of the least critically respected—demonstrates surprising consistencies, and a habitual attention to gender politics that reflect the gendered assumptions and aspirations of the societies out of which it emerges. This paper explores the commonalities between two novels that, despite being produced in different times and places, nevertheless when read together share distinct concerns and tropes, often to a surprising extent. By reading Frances Burney’s Evelina (1778) and Loretta Hill’s The Girl in Steel-Capped Boots (2012), and paying close attention to their similarities and differences, this paper demonstrates continuities of convention over more than two centuries. Both novels take young, inexperienced women for their heroines, and through them introduce their readers to daily life in specific, closed communities: respectively, fashionable London of the late-eighteenth-century “Season”, and the fly-in, fly-out mining society of the West Australian Pilbara region. In this study of two novels, one published in Georgian England, and the other in early twenty-first-century Australia, it is possible to recognise the ways in which such fictions are capable of idealising, reproducing and reinforcing gendered stereotypes, and at the same time of revealing the oppressive effects of such stereotypes on the imagined lives of men and women.' (Introduction)

'Communication, culture and media are embedded in our everyday lives in ways we are often unaware of. Whether we wake up and reach for our phone or think carefully about how to phrase a difficult sentence in an email, these multiple forms of communication, culture and media are embedded in our everyday. At conception and the first ultrasound image, a gender designation is ascribed that affects our everyday lives in innumerable ways – from the toys we are given, to sports that we play, to conceptions of self and the life choices available to us. Our gender inflects our everyday experiences and engagements with our bodies and those around us, and this becomes more and more evident as we manoeuvre into public, private and digital spaces. This special issue shares a handful of the papers initially presented at the “Gender and the Everyday: Contemporary Communication, Culture and Media” conference hosted by The Western Australian Communication, Culture and Media group (WACCM) and held at Murdoch University in September 2017.' (Introduction)

'In A Natural History of the Romance Novel (2003), Pamela Regis argues that all romance novels have eight essential elements including one she terms the ‘point of ritual death’. This is a moment when the heroine and hero seem unlikely to overcome the real or imagined obstacles preventing their ‘happily ever after’. While the ‘point of ritual death’ can be literal or metaphorical, romance novels traditionally opt for symbolic forms of death such as illness, failing or unsuccessful relationships, or brushes with real death for the heroine or other characters. Representations of ritual death in Australian rural romance novels appear intense in a conspicuous way. In rural romances, ritual death frequently takes on deeper, darker forms arguably amplified by the rural setting. Death also occurs outside the ritual death scene; the death of a family member may serve as a story’s premise, a murder mystery may be entangled with the romantic plot or life and death may visit the rural characters at any time, especially where multi-generation families are concerned. This paper examines the representation of death in selected contemporary Australian rural romance novels published between 2002 and 2017. This article argues that literal and metaphorical representations of environmental, animal and human deaths appear in rural romances frequently and powerfully in various forms. Many rural romance novels fearlessly conjure existential realities that reinforce death as a vital part of the cycle of life.' (Publication abstract)

'Rachael Treasure is Australia’s most popular author in the mainstream rural romance genre. Her novels combine bush or agricultural landscapes with gutsy heroines who are keen to transcend the context’s sexist pecking order. This article focuses on the representation of working dogs, romance and the ethics plot in Treasure’s first novel, Jillaroo (2002). Dogs, particularly the heroine’s well trained kelpies, progress and hinder the novel’s romance; they play a central role in some of the romantic elements yet are conspicuously absent in others. Relationships between humans and dogs unlock the novel’s ethics plot. This plot emphasises certain behaviours and attitudes between humans and non-humans and aligns readers’ sympathies with particular characters while encouraging disidentification with others. Jillaroo’s heroine Rebecca Saunders and her dogs undertake typical farm jobs efficiently and economically thereby securing her entry into spaces usually reserved for men. Rebecca shows herself to be equal, if not superior, in action and knowledge to the men who populate such contexts. Dogs therefore assist in constructing Rebecca as an example of Sherri Inness’s ‘tough woman’, heroines who use their “body, attitude, action, and authority” (Inness 24) to challenge the dominance of male heroes in popular culture and disrupt gender roles and stereotypes. Dogs also complicate Rebecca’s gender construction by undercutting and disturbing her feminine gender performances. For the novel’s male characters, interactions with dogs indicate their mental health and their “interspecies competence” (Fudge 11). A close reading of the relationships between Jillaroo’s main characters and dogs reveals that the narrative endorses and rejects particular human-human, human-animal and human-environment behaviours, ultimately positioning readers to value the ethical treatment of others (human and non-human) and the environment. Overall, Jillaroo’s romance narrative and representation of working dogs emphasises contemporary gender, environmental and animal rights issues in rural Australia, imparting a vital lesson to readers about the ethical treatment of others.'

Source: Abstract.