'This paper is an investigation into the apparent fluctuating interest in and practice of visual poetry in Western culture through its history and form. The article will address in particular visual poetry (VP) in the 20th and early 21st centuries and the notion that the fluctuation coincides with the ‘crisis of sign’, reflecting a crisis of culture. While the crisis of sign may have been, and may continue to be, a fundamental driver of the 20th-century manifestation of VP, this article will argue that there are other possible factors contributing to its surges of interest, especially in the 20th century.' (Publication abstract)