In this essay 'Birns draws us back to why literature (and good literary criticism) is valuable. Literature refuses the linguistically flat, unresonant and purely categorising. It sees links - in the characters and the oetics of language - to what is lost, to what the divineing the human might be if only the 'narcisstistic market-god' could be transcended. Birn's reading of Breath's Australian and American characters and the increasingly shared modern, capitalist wold they inhabit is from the perspective of a North American critic.' (Editors introduction, 11)