This lecture is in some ways the ‘lost’ chapter of The Cambridge History of Australian Literature (2009), one eventually not written because the projected author could find not enough literary material even in that vast Pacific Ocean, or perhaps found – as mariners have – only far separated specks in that ocean. Yet Australian literature about the nation’s Pacific littoral and the islands within the ocean and the ocean itself is varied, considerable, and often eccentric. Our greatest drinking song is Barry Humphries’s ‘The Old Pacific Sea’. The Japs and the jungle are the hallmarks of fiction, poetry and reportage of the Pacific War of 1942-5. New Guinea has attracted such writers as James McAuley, Peter Ryan, Trevor Shearston, Randolph Stow and Drusilla Modjeska. The short stories of Louis Becke are the most extensive and iconoclastic writing about the Pacific by any Australian. Yet the literature of the Pacific littoral seems thinner than that of the Indian Ocean. The map on the title page of Rolf Boldrewood’s A Modern Buccaneer (1894) shows those afore-mentioned specks in a vast expanse of water. What aesthetic challenges have Pacific writing posed and how have they been met? Have the waters of the Pacific satisfied Australians as a near offshore playground but defeated wider efforts of the imagination? ' (Publication summary)
'Artistic and cultural representations of space, place, memory, and belonging are some of the fundamental aspects of fictional narratives. This paper focuses on how the tropics evolve as a place of belonging in Terri Janke’s Butterfly song through literary transformation of generational memories of personal and family experiences combined with historical fact. The notion of the tropics as ‘different’ is examined through complex relationships between the place where the protagonist, Tarena Shaw, lives in Sydney;
the place that she calls home, Cairns; and the place of her ancestors, Thursday Island in the Torres Straits. Layers of memory unfold through family stories revisited in the context of contemporary cultural life to ensure the return of a pearl brooch lost for nearly forty years. Components of culture, a love story, a connection of things to ancestors and people, and the history of the Torres Straits and Cairns are the foci of Janke’s novel. These features demonstrate how multiple perspectives of place and memory can
enrich the literary imagination and in turn, enlighten Australian readers to the historical past and present life of tropical North Queensland. ' (Publication abstact)
