'A compulsively readable novel from the acclaimed author of The Sky So Heavy.
'The worst thing that could happen would be for my life to go back to how it was before Katie died.
'Hannah's world has imploded, all thanks to her older sister Katie. Her mum is depressed, her dad's injured and she has to go to compulsory therapy sessions. Hannah should feel terrible but for the first time in ages, she feels a glimmer of hope and isn't afraid anymore. Is it because the elusive Josh is taking an interest in her? Or does it run deeper than that?
'In a family torn apart by guilt, one girl's struggle to come to terms with years of harassment shows how deep previous scars can run.
'The Protected is an honest and searing portrayal of loss and grief that conveys the repercussions of bullying to the modern-day teenager.' (Publication summary)
'In 1994, Lucy Grealy published Autobiography of a Face (Grealy 2003: 3; First Perennial edition), her memoir about childhood cancer and the resulting facial disfigurement she endured for the rest of her life. Her intention in writing it, stated her friend and fellow writer Anne Patchett, was not to be an inspiration to others who had suffered terrible illness but to have produced something of literary merit (Patchett 2003: 230). Nonetheless, Autobiography of a Face was received with much acclaim not only for its lyricism, but also for the in-depth way it explored notions of identity and self within the illness experience (DasGupta 2007; Mojtabai 1994; Zbar 1995).' (Introduction)
'In 1994, Lucy Grealy published Autobiography of a Face (Grealy 2003: 3; First Perennial edition), her memoir about childhood cancer and the resulting facial disfigurement she endured for the rest of her life. Her intention in writing it, stated her friend and fellow writer Anne Patchett, was not to be an inspiration to others who had suffered terrible illness but to have produced something of literary merit (Patchett 2003: 230). Nonetheless, Autobiography of a Face was received with much acclaim not only for its lyricism, but also for the in-depth way it explored notions of identity and self within the illness experience (DasGupta 2007; Mojtabai 1994; Zbar 1995).' (Introduction)
