'Imagine if six famous protagonists transcended chronological and geographical barriers to come together through a poetry group in Adelaide. Rhymes with Hyenas is an inventive narrative of emails and poetry that gives a female voice to characters originally written by men. They are Ursula from DH Lawrence’s Women in Love, Caddy from Faulkner’s The Sound and the Fury, Melanie from Coetzee’s Disgrace, Delores from Nabokov’s Lolita, Katherina from Shakespeare’s Taming of the Shrew, and Lilith from Hebrew mythology.
'In a poignant ode to literature and Adelaide, these women are whole, complex characters, sometimes up to their breasts in mothering, sometimes homesick for exiled lands. They are lecturers, dog owners, art makers and carers who deal with illness and loss, with racism and addiction and domestic abuse. Their stories, initially limited by the masterpieces that spawned them, continue on: they are not a closed book.
'In a vibrant commentary on literary patriarchy and the patriarchy beyond, this book considers the place of writing, critiquing, reading, performing and publishing poetry in a woman’s space.'
Source : publisher's blurb
A brief comment complaining that the 'performance at the Theatre last Thursday was advertised as Shakespeare's play of Katherine and Petruchio when it should have been the Taming of the Shrew.'
A further brief comment under the heading 'Theatrical Errata' apologises for typographical errors in a review of the performance at the Royal Victoria Theatre published in the Commercial Journal and Advertiser on 25 July 1838 (2). The column also advises that 'the drama of Gil Blas will be produced on Monday next [30 July 1838]'.
Review of performances of the plays at the Royal Victoria Theatre, Sydney on 26 July 1838.
Advertisement for performances at the Royal Victoria Theatre, Sydney, on 2 August 1838 of the 'Romantic Drama, entitled Gil Blas' and 'Shakespeare's Play of Catherine & Petruchio'.
Review of performances of the plays at the Royal Victoria Theatre, Sydney on 26 July 1838.
Advertisement for performances at the Royal Victoria Theatre, Sydney, on 26 July 1838 to include 'Shakespeare's Play, entitled Katherine & Petruchio. Petruchio ... by Mr. Joseph Simmons', the 'Melo-Drama, entitled Mabel's Curse' and the 'Laughable Farce, called Raising the Wind. Jeremy Diddler ... by Mr. Joseph Simmons'.
Advertisement for performances at the Royal Victoria Theatre, Sydney, on 2 August 1838 of the 'Romantic Drama, entitled Gil Blas' and 'Shakespeare's Play of Catherine & Petruchio'.
A brief comment complaining that the 'performance at the Theatre last Thursday was advertised as Shakespeare's play of Katherine and Petruchio when it should have been the Taming of the Shrew.'
A further brief comment under the heading 'Theatrical Errata' apologises for typographical errors in a review of the performance at the Royal Victoria Theatre published in the Commercial Journal and Advertiser on 25 July 1838 (2). The column also advises that 'the drama of Gil Blas will be produced on Monday next [30 July 1838]'.
'Imagine if six famous protagonists transcended chronological and geographical barriers to come together through a poetry group in Adelaide. Rhymes with Hyenas is an inventive narrative of emails and poetry that gives a female voice to characters originally written by men. They are Ursula from DH Lawrence’s Women in Love, Caddy from Faulkner’s The Sound and the Fury, Melanie from Coetzee’s Disgrace, Delores from Nabokov’s Lolita, Katherina from Shakespeare’s Taming of the Shrew, and Lilith from Hebrew mythology.
'In a poignant ode to literature and Adelaide, these women are whole, complex characters, sometimes up to their breasts in mothering, sometimes homesick for exiled lands. They are lecturers, dog owners, art makers and carers who deal with illness and loss, with racism and addiction and domestic abuse. Their stories, initially limited by the masterpieces that spawned them, continue on: they are not a closed book.
'In a vibrant commentary on literary patriarchy and the patriarchy beyond, this book considers the place of writing, critiquing, reading, performing and publishing poetry in a woman’s space.'
Source : publisher's blurb