First produced at Covent Garden, Theatre Royal, London, England, 18 May 1808.
Performed at the Theatre Royal Sydney, New South Wales, February 1838.
Advertisement for: Performance on 1 February 1838 of: 'the Grand Romantic Drama of the Jewess, or, The Council of Constance' with 'in Act 2nd, The Maid of Judah [performed] by Mrs. Clark'. The latter is possibly a song or songs from The Maid of Judah, music by Rossini adapted by Michael Rophino Lacy,182-?. The performance concluded 'with (first time this season) the laughable Farce called A Day After the Wedding', [Marie-Therese Kemble, 1808]. At the beginning of the advertisement the public is 'most respectively informed, that the first and second representation of Gustavus ... will shortly be repeated' and that 'the delay occasioned between the Second and Third Acts on the first presentation has been entirely removed.'
Plot outline and review of the historical drama Gustavas the Third performed at the Theatre Royal, Sydney on 29 January 1838. Short reviews of the drama The Jewess and the farce The Day after the Wedding both performed at the Theatre Royal, Sydney on 3 February 1838.
Plot outline and review of the historical drama Gustavas the Third performed at the Theatre Royal, Sydney on 29 January 1838. Short reviews of the drama The Jewess and the farce The Day after the Wedding both performed at the Theatre Royal, Sydney on 3 February 1838.
Advertisement for: Performance on 1 February 1838 of: 'the Grand Romantic Drama of the Jewess, or, The Council of Constance' with 'in Act 2nd, The Maid of Judah [performed] by Mrs. Clark'. The latter is possibly a song or songs from The Maid of Judah, music by Rossini adapted by Michael Rophino Lacy,182-?. The performance concluded 'with (first time this season) the laughable Farce called A Day After the Wedding', [Marie-Therese Kemble, 1808]. At the beginning of the advertisement the public is 'most respectively informed, that the first and second representation of Gustavus ... will shortly be repeated' and that 'the delay occasioned between the Second and Third Acts on the first presentation has been entirely removed.'