First produced at the Queen's Theatre, London, England, 15 July 1835
Source: Nicoll, Allardyce. A History of English Drama 1660-1900 Cambridge: Cambridge University Press, 1966.
Performed at the Theatre Royal Sydney, New South Wales, March 1838
Review of performances at the Theatre Royal, Sydney on 1 March 1838.
Advertisement for a performance at the Royal Victoria Theatre, Sydney, on 16 June 1838 to include the 'popular Farce, called Catching an Heiress', the 'laughable Farce, called The Original' and the 'Melo-Drama, entitled The Death Token'.
Advertisement for a performance at the Royal Victoria Theatre, Sydney, on 3 April 1838 of: 'Catching an Heiress' [Charles Selby, 1835]; 'the laughable interlude, The Middy Ashore' [William Bayle Bernard, 1836]; 'To conclude with the popular Farce, entitled The King’s Command'.
Advertisement for: Performance on 1 March 1838 of: ‘the favorite Melo Drama, in three acts, entitled Melmoth the Wanderer, and Walberg, the Victim’ and of: ‘first time this season, the laughable Farce of Catching an Heiress', [Charles Selby, 1835].
Advertisement for: Performance on 6 March 1838 of ‘for the second time in this Colony, the Drama in Two Acts, entitled The Charcoal Burner, or, The Dropping Well of Knaresborough’ [George Almar, 1832]; and ‘the Musical Burletta, in One Act, of The Married Bachelor, or, Master and Man', [P. P. O'Callaghan, 1821]; and ‘the favorite Farce, called Catching an Heiress', [Charles Selby, 1835]
Review of performances at the Theatre Royal, Sydney on 1 March 1838.
Advertisement for: Performance on 6 March 1838 of ‘for the second time in this Colony, the Drama in Two Acts, entitled The Charcoal Burner, or, The Dropping Well of Knaresborough’ [George Almar, 1832]; and ‘the Musical Burletta, in One Act, of The Married Bachelor, or, Master and Man', [P. P. O'Callaghan, 1821]; and ‘the favorite Farce, called Catching an Heiress', [Charles Selby, 1835]
Advertisement for: Performance on 1 March 1838 of: ‘the favorite Melo Drama, in three acts, entitled Melmoth the Wanderer, and Walberg, the Victim’ and of: ‘first time this season, the laughable Farce of Catching an Heiress', [Charles Selby, 1835].
Advertisement for a performance at the Royal Victoria Theatre, Sydney, on 3 April 1838 of: 'Catching an Heiress' [Charles Selby, 1835]; 'the laughable interlude, The Middy Ashore' [William Bayle Bernard, 1836]; 'To conclude with the popular Farce, entitled The King’s Command'.
Advertisement for a performance at the Royal Victoria Theatre, Sydney, on 16 June 1838 to include the 'popular Farce, called Catching an Heiress', the 'laughable Farce, called The Original' and the 'Melo-Drama, entitled The Death Token'.