'After one year, 80 gigs and countless nights worrying, I finally told my parents I did stand-up comedy. As the daughter of first generation migrants from India, I’ve always felt like I’ve been living with a dual existence, especially while following and fostering a career in the arts. Like poetry, which I studied passionately at university, what I love about comedy is its ability to explore and express paradoxes, an art form which in itself carries irresolvable contradictions. I’ve been writing and performing stand-up for five years now and in this essay I outline three areas of comedy which include at the same time as they elude, binary thinking. While there is a disproportionate lack of academic writing on comedy (dating back to the Ancient Greeks), people have long been pondering the question of what makes us laugh. Speaking from my first-hand experience and research, I will explore this question with regard to the process of writing and performing comedy, navigating the politics of performing as a woman of colour, and ultimately co-creating each performance with a different audience.' (Introduction)
