First produced at the court of Louis XIV of France at the Château of Chambord, 6 October 1669.
Performed at the Hall of the University of Sydney, January 1868.
An editorial on the subject of the university performance, for the entertainment of his Royal Highness, the Duke of Edinburgh', of Terence's Phormio (in Latin) and Molière's Monsieur de Pourceaugnac (in French). The editorial writer disputes the suitability of these plays on the grounds of their corrupt morality and general unfitness for a Christian audience.
A detailed account of H. R. H. Prince Alfred, The Duke of Edinburgh's visit to Sydney during January 1868. The account includes a paragraph headed 'Dramatic Performance at the University', referring to productions of Phormio and Monsieur de Pourceaugnac.
The Empire's editorial writer comments on the recent production by the University of Sydney of plays by Terence and Moliere. While the writer admits there are advantages to the presentation of plays in Latin and French, [he] is ‘decidedly of the opinion that English dramas should not be excluded from the University play bills. Shakespeare, Ben Jonson, and Beaumont and Fletcher should take their place with Terence and Moliere, and the public might thus be much entertained on the one hand as the the students would be improved on the other.'
Review of Phormio of Terence (in Latin) and Molière's Monsieur de Pourceaugnac (in French), performed at the Hall of the University of Sydney 'in the presence of his Royal Highness the Duke of Edinburgh, the Earl and Countess of Belmore, the members of the Senate, the Professors and Officers of the University, and several officers of the Army and Navy, and a fashionable assembly of about four hundred people'.
An advertisement for a performance 'by the members of the University for the entertainment of his Royal Highness, the Duke of Edinburgh'. Plays performed: Phormio of Terence (in Latin) and Molière's Monsieur de Pourceaugnac (in French).
Review of Phormio of Terence (in Latin) and Molière's Monsieur de Pourceaugnac (in French), performed at the Hall of the University of Sydney 'in the presence of his Royal Highness the Duke of Edinburgh, the Earl and Countess of Belmore, the members of the Senate, the Professors and Officers of the University, and several officers of the Army and Navy, and a fashionable assembly of about four hundred people'.
An advertisement for a performance 'by the members of the University for the entertainment of his Royal Highness, the Duke of Edinburgh'. Plays performed: Phormio of Terence (in Latin) and Molière's Monsieur de Pourceaugnac (in French).
The Empire's editorial writer comments on the recent production by the University of Sydney of plays by Terence and Moliere. While the writer admits there are advantages to the presentation of plays in Latin and French, [he] is ‘decidedly of the opinion that English dramas should not be excluded from the University play bills. Shakespeare, Ben Jonson, and Beaumont and Fletcher should take their place with Terence and Moliere, and the public might thus be much entertained on the one hand as the the students would be improved on the other.'
A detailed account of H. R. H. Prince Alfred, The Duke of Edinburgh's visit to Sydney during January 1868. The account includes a paragraph headed 'Dramatic Performance at the University', referring to productions of Phormio and Monsieur de Pourceaugnac.
An editorial on the subject of the university performance, for the entertainment of his Royal Highness, the Duke of Edinburgh', of Terence's Phormio (in Latin) and Molière's Monsieur de Pourceaugnac (in French). The editorial writer disputes the suitability of these plays on the grounds of their corrupt morality and general unfitness for a Christian audience.