Cirrus@Austlit

'In the last five years, two innovative revivals of Patrick White's early plays and at least three conferences in Australia and overseas have refocused critical interest on Australia's only Nobel Laureate in Literature. In 2012, the Adelaide Festival of Arts and the State Theatre Company of South Australia staged a contemporary gothic-punk-carnivalesque Inspired production of White's early expressionist play The Ham Funeral, first performed in 1961. Festival director, Paul Grabowski, noted that the inclusion of a new production of the play in the programme both celebrated the centenary of the writer's birth and redressed its infamous rejection by the 1960 Festival Board. The 2012 Ham Funeral follows the acclaimed Sydney Theatre Company (STC) 2007-08 revival of White's next play, Season at Sarsaparilla, first performed in 1962. STC associate director Benedict Andrews remediates the work, the first of White's plays to be set in suburban Australia, for the sensibilities of the twenty-first century in a stylish, well-funded production for contemporary audiences. These productions point to new interest in White's theatre that is also evident in recent conferences and scholarly publications.' (Author's introduction)