The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Saying and the Interruption of the Said : Ethical Considerations in and on J.M. Coetzee’s The Lives of Animals Liselotte Vandenbussche , Nicholas Meihuizen , 2017 single work criticism
— Appears in: Journal of Literary Studies , vol. 33 no. 3 2017; (p. 97-115)

'Using J.M. Coetzee's The Lives of Animals (Coetzee 1999) as a basis, our article compares the straightforward ethical reading of literature as an unproblematic means for creating reader sympathy (as exemplified by the work of Martha Nussbaum), with an approach based on Emmanuel Levinas's sense of otherness. For Levinas, reading involves an awareness of otherness that does not control or circumscribe the other, but that encourages a continual unfolding of its possibilities. In this connection, he distinguishes between the “said”, that which is complete, written down once and for all, and the “saying”, that which can “interrupt” our readerly assumptions by revealing the presence of otherness. The sense of otherness, because so fundamental to our interaction with the world, needs to be respected, our ethical obligation or responsibility towards it acknowledged. We believe The Lives of Animals fosters such a sense of obligation. It both thematises moral concerns and helps enact moral understanding, unlike a straightforward sympathetic approach, which depends on exclusionary opposition at the expense of a more knowing engagement with otherness.'  (Introduction)

1 Autobiographical Techniques and the Problems of Memorial Reconstruction : Amis Coetzee Kermode and Motion Nicholas Meihuizen , 2013 single work criticism
— Appears in: Scrutiny2 , vol. 18 no. 1 2013; (p. 13-22)

'This article examines the various ways Martin Amis, J.M. Coetzee, Frank Kermode and Andrew Motion approach the problems associated with memorial reconstruction and veracity in their autobiographical writings. Using as a starting point James Olney’s notion of the “free conceptual construction” involved in our general way of making sense of the world, the article goes on to consider the means employed by these writers to negotiate with “the archive of the ‘real’” and the “archive of ‘fiction’”, to draw on Derrida’s terms (1992), in their various engagements with the conceptual construction of life stories. A special emphasis is placed on what Derek Attridge (2004) calls the “singularity” of that construction, its truth to itself as writing.' (Author's abstract)

X