Cirrus@Austlit

'This book tells the history of Australia from the standpoint of the original Australians - those who lost most in our country's early colonial struggle for power. Surveying two centuries of Aboriginal-European encounters, it reveals what white Australia lost through unremitting colonial invasion and tells the story of Aboriginal survival through resistance and accommodation. It traces the continuing Aboriginal struggle to move from the margins of colonial society to a more central place in modern Australia.".

'Since its first appearance in 1982 and revision in 1994, Richard Broome's Aboriginal Australians has won a wide readership as a classic text on the history of race relations in Australia. Now fully updated to 2001, this new edition explains the land rights struggle since Mabo, the Hindmarsh Island affair, debates over the 'stolen generation', 'sorry' and reconciliation, and the recent experience of Aboriginal Australia. Aboriginal Australians remains the only concise and up-to-date survey of Aboriginal history since 1788.' (Taken from book jacket of 2002 edition.)

'This ... collection of stories features a foreword by Dr Pam Johnston that places Ruby’s anecdotes in the context of a country which seems incapable of healing its past or of creating a better future for Indigenous people. Featuring the best stories from Ruby’s Real Deadly, plus many unpublished gems dating as far back as 1992, All My Mob’s portrayal of family life, ‘home’, and life as an Aborigine in today’s Australia is fascinating, often confronting and unforgettable.' (Source: UQP website: www.uqp.uq.edu.au)

"The Arrival is a migrant story told as a series of wordless images that might seem to come from a long forgotten time. A man leaves his wife and child in an impoverished town, seeking better prospects in an unknown country on the other side of a vast ocean. He eventually finds himself in a bewildering city of foreign customs, peculiar animals, curious floating objects and indecipherable languages. With nothing more than a suitcase and a handful of currency, the immigrant must find a place to live, food to eat and some kind of gainful employment. He is helped along the way by sympathetic strangers, each carrying their own unspoken history: stories of struggle and survival in a world of incomprehensible violence, upheaval and hope." (Source: Shaun Tan website)

'It's hot, dry and sweaty on Ash Road, where Graham, Harry and Wallace are getting their first taste of independence, camping, just the three of them. When they accidentally light a bushfire no one would have guessed how far it would go. All along Ash Road fathers go off to fight the fires and mothers help in the first aid centres. The children of Prescott are left alone, presumed safe, until it's the fire itself that reaches them. These children are forced to face a major crisis with only each other and the two old men left in their care.

'The best selling Ash Road is an action-packed adventure story, so evocative of rural Australia you can taste the Eucalyptus.' (Publication summary : Text Classics)

'With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.' (From the publisher's website.)

'In this collection, acclaimed writer Mandy Sayer brings together nine of the best Australian examples of the long story - tales that combine the intensity of the short story with the complexity of a novel.

In these stories, characters grow up, hook up and break up, endure calamitous loss and discover delectable love, travel to faraway places and fifi nd themselves right back where they started. From the exotic to the familiar, the sensuous to the dangerous, these soaring flights of the imagination boldly traverse the vast terrain of human experience.

Showcasing the talents of some of our most loved and awarded authors, this invigorating collection is an excellent introduction to an often overlooked art form, promising to enchant all lovers of Australian fiction.' (From the publisher's website.)

'It is night. They move with such stealth they could be almost floating along the road. I can't see faces, just the outline of their movement. But when the moon drifts out from behind a cloud, bathing the road in an urgent sort of light, I see how they're all gazing up towards me.

''They're coming back,' I murmur. I turn to Kendall, and she puts her sewing aside, eyes on me. They never waiver.

'It was supposed to be a place where teenagers would learn resilience, confidence and independence, where long hikes and runs in the bush would make their bodies strong and foster a connection with the natural world. Living in bare wooden huts, cut off from the outside world, the students would experience a very different kind of schooling, one intended to have a strong influence over the kind of adults they would eventually become.

'Fourteen-year-old Rebecca Starford spent a year at this school in the bush. In her boarding house sixteen girls were left largely unsupervised, a combination of the worst behaved students and some of the most socially vulnerable. As everyone tried to fit in and cope with their feelings of isolation and homesickness, Rebecca found herself joining ranks with the powerful girls, becoming both a participant–and later a victim–of various forms of bullying and aggression.

'Bad Behaviour tells the story of that year, a time of friendship and joy, but also of shame and fear. It explores how those crucial experiences affected Rebecca as an adult and shaped her future relationships, and asks courageous questions about the nature of female friendship.

'Moving, wise and painfully honest, this extraordinary memoir shows how bad behaviour from childhood, in all its forms, can be so often and so easily repeated throughout our adult lives.' (Publication summary)

Catriona Elder explores the origins, meanings and effects of the many stories we tell about ourselves, and how they have changed over time. She outlines some of the traditional stories and their role in Australian nationalism, and she shows how concepts of egalitarianism, peaceful settlement and sporting prowess have been used to create a national identity.
(Publisher's blurb)

'This year's Best Australian Essays offers riveting snapshots of the nation's "current loves and angers, its art and myths and amusements and gender concerns - and its propensity for bushfires."

'From Alex Miller on the creative imagination to Mark Dapin on crime myths, from Amanda Hooton on Miss Universe to Tim Flannery on the inner lives of animals, this is a collection that takes the pulse of the nation's writers and thinkers and finds them in rude health.' (From the publisher's website.)

'Selected by one of Australia's most acclaimed poets, this inspired collection captures the richness and scope of present-day Australian verse. It features innovative and exciting poems - many published here for the first time - from our best-known poets as well as daring and insightful works from rising stars.

Together they create a lively sense of conversation, of voices criss-crossing the continent, exploring the many themes that animated and inspired the nation's poets in 2010.' (From the Publisher's website)

'The Best Australian Poetry 2009 celebrates the originality and verve of Australian poetry at this moment. In this collection of 40 poems Alan Wearne brings long experience as a poet and teacher of poetry, and a sharp eye for the surprising. Bookended with an introduction by Wearne and the poets' commentary on their work, this year's collection is a sophisticated and accessible sampling of recent achievements in Australian poetry.' (From the publisher's website.)

Biographical notes on the contributing poets are included, together with a substantial comment by each poet their selected poem.

'In The Best Australian Stories 2010, Cate Kennedy presents a seductive line-up of the year's most exciting short fiction, featuring the best work from publications around the country alongside pieces published here for the first time. ...

By turns playful, heart-wrenching, intimate and exuberant, these twenty-nine stories reveal the strength and variety of Australian fiction today. The authors include first-timers as well as established masters, and the result is a stimulatingly diverse collection. ' (From the Publisher's website)

'Kristina Olsson's mother lost her infant son, Peter, when he was snatched from her arms as she boarded a train in the hot summer of 1950. She was young and frightened, trying to escape a brutal marriage, but despite the violence and cruelty she'd endured, she was not prepared for this final blow, this breathtaking punishment. Yvonne would not see her son again for nearly 40 years.

'Kristina was the first child of her mother's subsequent, much gentler marriage and, like her siblings, grew up unaware of the reasons behind her mother's sorrow, though Peter's absence resounded through the family, marking each one. Yvonne dreamt of her son by day and by night, while Peter grew up a thousand miles and a lifetime away, dreaming of his missing mother.

'Boy, Lost tells how their lives proceeded from that shattering moment, the grief and shame that stalked them, what they lost and what they salvaged. But it is also the story of a family, the cascade of grief and guilt through generations, and the endurance of memory and faith.' (Publisher's blurb)