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'Twenty years ago, when asked where the field of Victorian poetry was headed, my answer focused on methodology and a term—“cultural neoformalism”—that seemed useful in situating my own doctoral work in relation to the field. I was just young enough to have witnessed the aftermath of disciplinary acrimony among historicists, formalists, and theorists (the so-called culture wars of the 1980s), and the yoking of cultural studies to formalist methods seemed like a way out of the woods and on to greener pastures. A Rutgers University conference organized by Meredith McGill in 2002 on “The Traffic in Poems” had showcased scholarship in a transatlantic frame and a range of methods that largely reflected this intersection of culture and form, and I was smitten.' (Introduction)
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Last amended 7 Jan 2025 11:21:33
Subjects:
- Nineteenth-Century Australian Poetry : Introduction 2002 single work criticism
- ‘That’s white fellow’s talk you know, missis’ : Wordlists, Songs, and Knowledge Production on the Colonial Australian Frontier 2021 single work criticism
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