Pushing the Envelope single work   criticism  
Issue Details: First known date: 2024... 2024 Pushing the Envelope
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'Undergraduate years are full of the excitement and wonder of working out where you are in your life. In undertaking your course studies, you are planning for your future, but with other activities, such as belonging to a student club, you are not thinking about its lasting impact. Yet, for me, my involvement with the Melbourne University Film Society (MUFS) had a larger, formative influence on the rest of my life. At the time, I wasn’t aware that this was an incredibly significant period in the evolution of cinephilia in Melbourne and across Australia.' (Introduction) 

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  • Appears in:
    y separately published work icon Senses of Cinema no. 111 November 2024 29289701 2024 periodical issue

    'Dear Readers: welcome to Issue 111 of Senses of Cinema, a journal in which the serious and eclectic discussion of moving images past, present, and future never dies, no matter the historical ruptures all around us.

    'We open with a special 13-text dossier that is sure to become a touchstone for researchers, students, cinephiles, and enthusiasts of all sorts in the future. Guest edited by Adrian Danks and Olympia Szilagyi with editorial assistance from Digby Houghton, “‘A very open-ended canon’: The Many Histories of the Melbourne Cinémathèque” pays tribute to (and diligently historicizes) the eponymous film society, a pivotal institution in Melbourne and Australian cinemagoing culture. As Danks notes in his succinct introduction, the dossier offers “only a partial and proudly parochial account of this history,” leaving vast amounts of the Cinémathèque’s 75-year life untouched. Yet the reader – Melbourne-based or not – is left with the distinct and deep impression of the inexhaustible vibrancy of an organisation dependent not just on films, but especially on people: the members without which cinema is just a dark room full of dusty seats.' (Production summary) 

    2024
Last amended 5 Dec 2024 11:01:51
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