'In his account of the Melbourne University Film Society’s (MUFS) activities in the 1960s, Adrian Danks highlights the organisation’s facilitation of feature-film production. Through the help of the dedicated “Uni-Fed” fund and other sources, its members translated the paradigms of the nouvelle vague and auteurism – that they were promoting and developing through their critical writing and programming activity – into a local practice. The notable figures of this era who went onto to varied careers in the film industry include Peter Carmody, Lloyd Carrick, Alan Finney and Antony I. Ginnane.' (Introduction)