y separately published work icon Island periodical issue  
Issue Details: First known date: 2024... no. 171 2024 of Island est. 1990- Island
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AbstractHistoryArchive Description

'What is the point of reading and writing? What I hope is that imagination – nourished and tempered by attention and practice – helps us conceptualise different futures. Faced with a rapidly worsening climate, with the horrors inflicted in Palestine, perhaps imagination can be the antidote to ‘there’s no point trying to change anything; I’m powerless; this is the way it’s always been’. Tasmania and Australia are in a time of great change. We can wish things were how they used to be, we can be dragged along into whatever larger forces want for us, or we can come up with our own plans. Literature and arts help us say the things we’re not hearing, stretch and shift our minds, find companionship and care. But they can also be exclusionary – for people who struggle with reading or who don’t see a place for themselves among writers. Our graphic narratives project was a step towards being more inclusive; in this issue we immerse ourselves in different languages, different experiences of reading, and a fruitful blurriness between image and text. And on Island Online, we are dipping our toes into audio. I hope you find something to expand your mind and your world.' (Jane Rawson : Editorial)

Contents

* Contents derived from the 2024 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Fucking with Chineseness, Cherry Zheng , single work essay
'Shaohua couldn't pronounce his own name. 'Shaohuaaa,' he said, like Ron Weasley trying to make feathers fly. It wasn't for lack of trying. He had taken to speaking at a plodding pace in order to be understood. For me, sitting beside him, this was the aural equivalent of a very slow flogging.' (Introduction)
(p. 4-10)
Seeing Ningaloo, Jenny Sinclair , single work essay

'I thought I knew water.

'I knew its salt sting, felt as I stood on a rocky tidal platform over the crashing Southern Ocean. I knew the hold-down weight of it, borne when I mistimed a wave. I knew its light: the blond-and-blue fractal patterns on the seabed on a sunny day at the beach. I knew about tides, wave forms, the way energy transmits.' (Introduction)

(p. 11-17)
A Story-Shaped Life, Gan Ainm , single work essay
'One morning of many, when things. like life. were the same across days, ones in which, though each unique, I had slept and woken and worked and slept and woken several times in succession such that a progression of rising tensions, climaxing action and denouement slid each slid each from the last, each into the next, now here, then there and, now a narrative where I (our intrepid hero!) was its protagonist, one of eating, sleeping, of writing and studying, of commuting, of repeatedly entering my office at the university, often as that morning, to the ping of an email:..' (Introduction)
(p. 18-24)
The Breath Goes Now, Jessica White , single work essay
'The blue gum had rooted itself in the black loamy soil hundreds of years before. Its thick girth was crusted with bark that sheltered ants and beetles. In summer it spread its long arms over the lawn, casting cool shale. In the evenings my brother, sister and I sprinted around its trunk in our thin cotton pyjamas, chasing the dogs. Occasionally we stabbed a bare foot on a twig and hopped, howling.' (Introduction)
(p. 25-31)
Writing Task 1, Suri Matondkar , single work essay
'Dear John, How are you? How is your family? I hope everyone is well. I am well, too. I received your letter asking about the processes for coming abroad for higher studies like I have done. I think it is a great idea. I am enjoying my studies and studying hard - there is so much to learn! Every day I go to university which is close to my lodgings. I can walk or take the tram, and both options are very easy and comfortable. There are so many flowers everywhere and the trees are lovely. This country is very beautiful. ' (Introduction)
 
(p. 32-37)
As If to Purposei"perhaps", Anne Elvey , single work (p. 45)
City of Yes and Noi"Wake up on Saturday morning", Stephen Brock , single work poetry (p. 46)
Sleepi"Feeding my drowsing infant at zero-hour, when frost", Petra White , single work poetry (p. 47)
Land/Body/Hearti"i. escarpment", Adrienne Eberhard , single work poetry (p. 48-49)
Milk Tea, Melanie Saward , single work short story (p. 50-54)
First Breath, Nilufar Shah , single work graphic novel (p. 56-61)
Can I Have Some of Your Religioni"we need someone to slip inside", Miriam Jones , single work poetry (p. 62-63)
A Necessary Evili"You scrub the house every second Sunday.", James Salvius Cheng , single work poetry (p. 63)
Swimming Lessonsi"Dull ache of the water holding her body up.", Izzy Roberts-Orr , single work poetry (p. 64)
To Selfi"chuck a sickie and the sun's kiss convicts,", Liam Ferney , single work poetry (p. 65)
Any Other Substance, Daniel Ray , single work short story (p. 74-80)
The Waitressesi"Three waitresses of Lifebuoy", Tim Slade , single work poetry (p. 81)
Boy Skippingi"You could set music to this", Todd Turner , single work poetry (p. 82)
Pomelo, Yulan Jack , single work prose (p. 84-91)
For Want of Natural Snow, Miriam Webster , single work short story (p. 102-108)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 24 Jul 2024 09:26:55
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