Cirrus@Austlit

'Petra White is a distinctive voice in Australian poetry. That Galloping Horse is her sixth collection, and the first to introduce her to UK readers. Written while living in Melbourne, London and Berlin between 2017 and 2023, this new collection includes 13 elegies that mediate a spiritual anguish through a delight in language and the physical world. White's characteristic, often dark playfulness is also abundant in this collection, with short mysterious lyrics that build layers of irony, and raw narratives that traverse the Nullarbor Highway and the atomic cloud of Maralinga. In its flexible and changeable styles, That Galloping Horse catches many thematic concerns, including proximity to the Ukraine War, domestic life in the reality of planetary demise, the strangeness of post-pandemic Berlin, modern work, marriage and the possibilities of familial love.'  (Publication summary)

'Petra White's poetry is distinctive for its sharp and unusual imagery, its authoritative expressions of the inner life and its existential preparedness and irony. Mythic imagination and narrative are at the heart of this book, her fourth collection. The ancient Book of Ezekiel is the unlikely source for a compact epic, "How the Temple was Built". Playful in its invention, this poem is terrifying and poignant. The Bible account is reinvented through a secular lens, touching on familiar concerns: war, displacement and feminism. The old epic tropes - love, death, faith, despair - drive this story. White's myth-making here explores the limits of being human and the limits of being a god. The second section, "Landscapes" is thirteen sketches of human solitariness, featuring ancient mythic figures and anonymous modern ones. Unobtrusively presented landscapes, at times hyper-real, or shading to dream, interpolate the characters. These incursions into psyche are fluid and metamorphic. Each singular poem crackles with impulse, marking iconic stillness and strange beauty. Reading for a Quiet Morning, which also includes several spirited versions of Rilke, is Petra White's most daring collection to date.' (Publication Summary)

'Like Petra White’s applauded first collection, her second begins and ends with a fable of the uncanny ordinary. Between is a cornucopia of odes: epistolary, philosophical, elegiac. These poems think through and honour the normal mysteries of fate.

'Her world is large and contemporary, anchored by a young poet’s own memories. White inhabits her poems lightly, using personal experience with wit and without self-pleading. Some of this work shows the shadow of depression: not so much expressing moods as touching on how depression dwells, finding its register so it can speak.

'A number of poems openly engage with notable depressives of literary history, but we don’t need those homages to realise that this poet is a very capacious reader. It is there in her music. Late Lowell and Bishop, along with Harwood, ghost the swift edge in her language. Beyond these, a large tradition of cadences and tropes is absorbed in her fluent free verse lines.'

Source: Publisher's blurb.