y separately published work icon The Conversation newspaper issue  
Issue Details: First known date: 2024... 22 May 2024 of The Conversation est. 2011 The Conversation
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the 2024 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Turning the Outback into Post-apocalyptic Wasteland : What Mad Max Films Tell Us about Filming in the Australian Desert, Melanie Ashe , single work column

'The Mad Max films are set in an arid, barren, post-apocalyptic world known in the movies as “the wasteland”. This is a world of environmental and civil collapse caused by humans. Resources like water are scarce. Clothes, food and transport – such as the film’s famous customised cars – are cobbled together from found and scavenged objects.' (Publication summary)

‘I’m on My Way Home from Work When My Baby Turns into a Dragon’. Ariane Beeston’s Postpartum Psychosis Gave Lie to the Romance of Motherhood, Catharine Coleborne , single work review
— Review of Because I'm Not Myself, You See : A Memoir of Motherhood, Madness and Coming Back From the Brink Ariane Beeston , 2024 single work autobiography ;

'Ariane Beeston smashes the romantic myth of motherhood in her memoir Because I’m Not Myself, You See. In 20 short, gripping, sad and moving chapters, Beeston explains her frightening experience of postpartum psychosis and depressive illness as a new young mother.'' (Introduction) 

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 22 May 2024 07:23:52
Newspapers:
    Powered by Trove
    X