Cirrus@Austlit

'ABR Editor Peter Rose reviews Yellow Notebook, the first volume of the diaries by Helen Garner, a most anticipated book. [Peter] delves into Garner's own private musings, the diaries she kept during the pivotal years of her writing life.'

Source: Publisher's blurb.

'In 1975 the governor general, John Kerr, removed a democratically elected Labor government, amid great intrigue and subterfuge. The dismissal of the Whitlam government remains one of the blights on our democracy – perhaps the most controversial event in Australian political history. And yet the full record of what happened in the weeks and months leading up to the dismissal is still unavailable to Australian citizens because of the intransigence of Queen Elizabeth and the expensive lengths to which the National Archives of Australia have gone to suppress access to John Kerr’s correspondence with Buckingham Palace.' (Introduction)

'The imminent closure of Australian Associated Press, or AAP, has sounded alarm bells for many citizens and journalists already worried about the lack of media diversity in Australia. AAP has long played a fundamental role in investigative journalism, which we need more than ever in an age of government intrusion, evasion, and over-reach. Johanna Leggatt, a journalist who has worked for Fairfax, News Corp, and AAP, writes about this troubling threat to journalism.' (Production summary)

'Truganini: Journey through the apocalypse follows the life of the strong Nuenonne woman who lived through the dramatic upheavals of invasion and dispossession and became known around the world as the so-called ‘last Tasmanian’. But the figure at the heart of this book is George Augustus Robinson, the self-styled missionary and chronicler who was charged with ‘conciliating’ with the Tasmanian Aboriginal peoples. It is primarily through his journals that historians are able to glimpse and piece together the world fractured by European arrival.'  (Introduction)

'Peter Rose – before introducing this week’s ABR Podcast guest – updates readers on ABR’s response to the Covid-19 pandemic and the Australia Council’s inexplicable decision not to fund ABR in 2021–24.

'Then Robyn Archer – renowned performer and ABR Laureate – currently hunkering down in Melbourne, reflects on how people are surviving and what Australia might look like when it emerges from this crisis.' (Introduction)

'During the Covid-19 crisis, many of us are surfeiting on television drama from Netflix, Stan, and the rest of them. Back in 2015, we published James McNamara's Ian Potter Foundation Fellowship essay 'The Golden Age of Television?', which considers the ascendancy of television drama and its cultural significance. Listen to James reading his essay, which appears in ABR's film and television issue in April 2015.' (Introduction) 

'All literature, but poetry in particular for some of us, becomes more important during the pandemic. Last month, we invited a group of poets and critics to read favourite poems of theirs, from any country or century. We know how much you enjoyed it; the response has been fantastic. So we've invited fifteen more poets and poetry lovers to read a poem that resonates for them and that might speak to others as we hunker down and live more privately. All the readers, poets, and titles of poems are listed on our website. 

'Featuring Kate Middleton, Jaya Savige, Anthony Lawrence, Claire G. Coleman, Warwick Hadfield, Sarah Day, Chris Wallace-Crabbe, Kerryn Goldsworthy, Kevin Brophy, Andrea Goldsmith, Michael Farrell, Geoffrey Lehmann, Maria Takolander, Ali Alizadeh, and Thom Sullivan. ' (Introduction)

'The Covid-19 pandemic has affected all our lives, and little else has featured in the media for weeks. Unsurprisingly, this has led those of us who work with words to track the language of the pandemic (coronaspeak) closely. Here at the Australian National Dictionary Centre (temporarily WFH, of course), we have been compiling a database of the words emerging from the pandemic; from anti-lockdown protest to zumping (being dumped via Zoom), the Covid-19 isolation lockdown has generated its own vocabulary.' (Introduction)

'When I’m ten or so, my brother appears shirtless at the dinner table. Ever the eager disciple, I follow his example without a second thought. It is a sweltering January day, and our bodies are salt-crusted from the beach. Clothing seems cruel in these conditions.' (Introduction)

'There’s a script for everything. Someone, voice wavering, says, ‘She’s dead’, and you say, ‘What?’ They say it again, and you say, ‘Oh, my god.’ You ask the usual questions, and then hang up and everything is incredibly quiet. You tell your boyfriend, and you both walk around the house trying to pack useful things: a sleeve of Valium, warm socks. You call your brother in London. He texts to say it’s five am there, can it wait? You call back. Before he even answers the phone, he knows.' (Introduction)

'First, I need to visit Dean Nicolle’s eucalypt arboretum. Four hundred rows of trees, four specimens of each species of Eucalyptus, Corymbia, and Angophora (the eucalypts) nestled together, sharing pollen and landscape, dropping limbs in the grass. Each group of trees is a result of the previous year’s fieldwork. The year 2000 was big: Nicolle this keeper of the keys to the eucalypts spent six months in Western Australia collecting seed.' (Introduction)

Declan Fry discusses Fire Front before reading his review of the book. 

'Sometime late morning it begins, a root of something that only as it grows do you recognise as pain. You have had coffee, as you do every morning, and now you feel the kind of heaviness that sends you to lie down. At home, the friend who is staying with you, whom you half invited and who may have misinterpreted your keenness for company, notes your early return and approves of your plan to retreat. For both of you it has been a year frantic with change and learning and emotion, and even if it is likely indulgent – so what, you’ve earned the right to call a morning off the books and instead take a heat pack and wish it were night all over again. She even microwaves the heat pack for you. You take it to bed where you think you will read or watch television or luxuriate in some way.' (Introduction)

'In today's episode, Johanna Leggatt speaks to ABR Editor Peter Rose about growing disquiet about ‘cancel culture’, censorious voices on social media, and Twitter's threat to writers and journalists. Beginning with the recent case of Rachel Baxendale, a journalist at The Australian, who was subjected to much invective because of her persistent questions about the quarantine fiasco in Victoria, Leggatt laments the ‘routine trashing of reputations on Twitter’ and wonders why Twitter has ‘devolved into a channel for our most juvenile emotions’. This interview is based on her recent article, 'The Problem of Belonging'.'

'Is it possible to parse Australian writers by states and territories? In today's episode, Tony Hughes-d'Aeth – Chair of Australian Literature at the University of Western Australia – speculates about new ways of contemplating Australian writers through the lens of regionalism. As he writes in his upcoming essay 'Thinking in a regional accent: New ways of contemplating Australian writers': 'Yes, we are divided into states and territories, but are these anything other than lines on a map, drawn with a ruler and a set square, and the occasional river? The contrast between the political map of Australia and the now iconic AIATSIS map of Indigenous Australia graphically exposes the poverty of the Australian regional imagination and the essential irreality of our territorial demarcations. More particularly, for someone like me, is it right to conceive of Australia in terms of literary regions?'' (Production summary)

'In today's episode, Joshua Black reads his tribute to former Labor senator Susan Ryan, featured in our November issue. Ryan was a historic figure in Australian politics: she was the first woman from the ALP to serve in cabinet, and cemented her legacy with the Sex Discrimination Act (1984) – which prohibited sexual discrimination in the workplace. Here, Black recounts his interview with the pioneering politician only weeks before her death on 27 September 2020.' (Production summary)

'Kylie Maslen's début essay collection, Show Me Where It Hurts, is an intimate exploration of living with chronic illness. Maslen describes her own experiences with the invisible illness she has lived with for the last twenty years, delving into its daily reality while incorporating music, literature, television, film, online culture, and more. Kate Crowcroft, who reviews the book in ABR's November issue, describes it as 'essential reading for those of us with the privilege of having a body that behaves itself'.' (Production summary)

'In today's episode, Amy Baillieu speaks to Nicole Abadee about Sofie Laguna's latest novel, Infinite Splendours. In her November issue review, Abadee reflects that Laguna 'does not shy away from confronting subject matter' and notes that Infinite Splendours represents 'new territory' for Laguna as it follows protagonist Lawrence from childhood into adulthood. Baillieu and Abadee also discuss Abadee's own podcast Books Books Books.' (Production summary)

'Amanda Laugesen, historian and lexicographer, is director of the Australian National Dictionary Centre at the ANU. In her latest book, the evocatively titled Rooted, Amanda considers the bountiful history of bad language in Australia. Her column in the December issue of ABR is devoted to the quaint old euphemism. Amanda talks about the inventive ways in which writers and editors have tried to placate the censor while also celebrating profanity. ' (Production summary)

'In today's episode, Peter Rose talks to writers Beejay Silcox and Billy Griffiths about what they’ve been reading during this tumultuous year. They also speculate about some highlights of 2021. For those looking for a more extensive listing of this year's finest works, our Books of the Year features more than 30 different ABR critics nominating their favourite releases.' (Production summary)