Author's note:
dedicated to
Laura Hope-Gill
who wanted to hear the story
from go to whoa
'It’s a classic. It feels good. I’m talking about a poem. And I’m talking about a t-shirt. What’s a t-shirt? A t-shirt is something an Australian poet on an international tour with three others might wear. A t-shirt is something an Australian poet on tour with three others might wear and wash, or refuse to wash; might refuse to stop wearing. I’m talking about π.O.’s tour t-shirt. I’m talking about π.O.’s dirty t-shirt tour, which materialises here, four decades later, as the chronicle-in-verse called The Tour.' (Introduction)
'In 1985, five (or four, depending on the source) Australian poets went on a sixteen-city reading tour of the United States and Canada. Π.O. was one of them. Originally titled ‘The Dirty T-Shirt Tour’, The Tour is ostensibly Π.O.’s diary of that trip, the dirty T-shirt standing for the narrator’s ‘difference’: his migrant, working-class background; his flouting of social conventions; his ‘performance poet’ status. While the other poets are (repeatedly) washing and ironing in their rooms, he is out walking the streets, making astute observations, meeting interesting people. Π.O. names the well-known poets and lesser entities he befriends and the famous poets he doesn’t meet – the disreputable T-shirt given as one reason for his exclusion – but he omits the identities of the poets on the tour and the tour organisers.' (Introduction)
'Π.O.’s two most recent books were epic in scope and heft. Fitzroy: The Biography was a sprawling history of the Melbourne suburb; Heide, a kaleidoscopic account of art-making and patronage. Both books wielded dizzying accumulations of disparate, sometimes incredible, facts and stories against monolithic authority.' (Introduction)
'Π.O.’s two most recent books were epic in scope and heft. Fitzroy: The Biography was a sprawling history of the Melbourne suburb; Heide, a kaleidoscopic account of art-making and patronage. Both books wielded dizzying accumulations of disparate, sometimes incredible, facts and stories against monolithic authority.' (Introduction)
'In 1985, five (or four, depending on the source) Australian poets went on a sixteen-city reading tour of the United States and Canada. Π.O. was one of them. Originally titled ‘The Dirty T-Shirt Tour’, The Tour is ostensibly Π.O.’s diary of that trip, the dirty T-shirt standing for the narrator’s ‘difference’: his migrant, working-class background; his flouting of social conventions; his ‘performance poet’ status. While the other poets are (repeatedly) washing and ironing in their rooms, he is out walking the streets, making astute observations, meeting interesting people. Π.O. names the well-known poets and lesser entities he befriends and the famous poets he doesn’t meet – the disreputable T-shirt given as one reason for his exclusion – but he omits the identities of the poets on the tour and the tour organisers.' (Introduction)
'It’s a classic. It feels good. I’m talking about a poem. And I’m talking about a t-shirt. What’s a t-shirt? A t-shirt is something an Australian poet on an international tour with three others might wear. A t-shirt is something an Australian poet on tour with three others might wear and wash, or refuse to wash; might refuse to stop wearing. I’m talking about π.O.’s tour t-shirt. I’m talking about π.O.’s dirty t-shirt tour, which materialises here, four decades later, as the chronicle-in-verse called The Tour.' (Introduction)
