'I love you more
Than God loves the world.
'Little published in her lifetime, Lesbia Harford died young in the late 1920s. Her short lyrical poems—about social justice, revolution, free love, feminism and the experience of women—display a candour and dynamism unusual for her time and place. This essential new selection of her finest work, chosen and introduced by Gerald Murnane, reaffirms Harford’s position as one of Australia’s pre-eminent modern poets.' (Publication summary)
'In her short life, Lesbia Harford (1891–1927) created a body of poems which have become increasingly important to scholars and poets in understanding both the impact of poetic modernism in Australia and shifting concepts of gender, class, and the tensions between a personal and a collective politics. While Oliver Dennis’s 2014 Collected Poems of Lesbia Harford presents Harford’s full oeuvre, the new Text Classics edition, selected and introduced by Gerald Murnane, brings a sharp and accessible focus on this seminal Australian poet, highlighting her key themes and demonstrating a literary style that straddled worlds: from the formal structures and decorous themes of late nineteenth-century poetry to the challenges to form, voice, and subject matter that characterised the emerging revolutions of literary modernism.' (Introduction)
'In her short life, Lesbia Harford (1891–1927) created a body of poems which have become increasingly important to scholars and poets in understanding both the impact of poetic modernism in Australia and shifting concepts of gender, class, and the tensions between a personal and a collective politics. While Oliver Dennis’s 2014 Collected Poems of Lesbia Harford presents Harford’s full oeuvre, the new Text Classics edition, selected and introduced by Gerald Murnane, brings a sharp and accessible focus on this seminal Australian poet, highlighting her key themes and demonstrating a literary style that straddled worlds: from the formal structures and decorous themes of late nineteenth-century poetry to the challenges to form, voice, and subject matter that characterised the emerging revolutions of literary modernism.' (Introduction)
