'Marcelle Freiman’s collection poems Spirit Level, her third book, surely deserves Jill Jones’ endorsement as a book where ‘clarity of memory [sits] alongside a shimmer of location’, whose ‘presences and absences’ are to be savoured. As restless, dynamic, and ‘unsettled’ as her earlier two collections, White Lines and Monkey’s Wedding, (which I reviewed on its publication). This new collection is structured into two parts, the first contains many poems about memories: of childhood in South Africa, of Freiman’s student days as an anti-Apartheid activist, and of parents and Jewish relatives killed and dispersed by the Holocaust. The second part of the collection explores various subjects, with many poems with Australian locations and subjects, including a number of poems on art and photography. Together the poems provide a vivid picture of the life of a South African migrant now settled in Australia. The deeper theme is the poet’s engagement with the past, not so much as nostalgia, but about how her present sensibility is now ineluctably imbricated with these memories. The poems bring a sense of presence to memory and amplify memory’s affective power, because the affect is often tied to traumatic events.'(Introduction)