Cirrus@Austlit

'The Gothic lends itself to critical examinations of disabled embodiment, yet this genre has ‘hitherto been largely ignored’ by disability studies scholars (Gregory 291). This essay redresses this omission by exploring disability in three Australian Gothic novels: Elizabeth Jolley's The Well (1986), Sarah Kanake's Sing Fox to Me (2016), and Kate Grenville's Lilian’s Story (1985). On initial glance, The Well and Lilian’s Story conform to the use of disability in the Gothic as a metaphor for social and psychological deviance. However, closer inspection of these novels and Sing Fox to Me demonstrates their resistance to the Gothic’s typical use of disability in phobic ways. Hester’s disability in The Well enables her to transcend the gender prescriptions of her patriarchal Australian community, even if it is initially constructed as a physiological sign of her disturbing possessiveness over Katherine. Against the ‘dramatic and unforgiving natural settings’ of the Tasmanian Gothic (Bullock 72), Sing Fox to Me interweaves Samson’s experience of Down syndrome with perennial themes of the genre including familial haunting and the intersection of past and present. Similar to The Well, Lilian’s Story shows the politically transformative nature of disabled embodiment, wherein the titular character’s fatness and ‘madness’ allow her to achieve self-realisation while defying the gender norms of her time. Ultimately, the three novels suggest that the use of disabled characters in some contemporary Australian Gothic narratives is clearing space for less-stereotypical portrayals of corporeal and psychological variation in this genre.' (Publication abstract)