Issue Details: First known date: 2022... 2022 Grotesque Europe : The Gothic Grotesque and Anti-Semitic Stereotypes in Dead Europe
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AbstractHistoryArchive Description

'Christos Tsiolkas’s Gothic novel Dead Europe (2005) has been criticised by some for its offensive representation of Jewish characters, and lauded by others as an unflinching interrogation of historical and contemporary anti-Semitism. The Gothic genre more broadly has a difficult history of rendering the marginalised Other as monstrous, and while contemporary writers often experiment with Gothic tropes to challenge and disrupt such representations, as a non-Jewish writer, Tsiolkas uses the figure of the monstrous Jew in problematic ways. This article analyses Dead Europe’s use of the Gothic grotesque in depicting Jewish characters, arguing that the novel engages in an ethical critique of anti-Semitic stereotypes using the grotesque’s ambivalence, overdetermination and ability to compel attention through shock and disgust.' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Journal of Australian Studies Christos Tsiolkas and Contemporary Australia—The Outsider Artist vol. 46 no. 1 2022 24308385 2022 periodical issue

    'Christos Tsiolkas is regularly acknowledged as one of the most important writers working in Australia—indeed, the world—today. However, his proclivity for the public essay (in venues such as The Monthly), as well as his willingness to speak out on important social and political issues (such as refugees and marriage equality), casts him not only as an important writer, but also as a critical public figure in contemporary Australia. This collection of articles takes the range of Tsiolkas’s works (both fiction and non-fiction, as well as their television and cinematic adaptations) as their impetus, using these as a model to explore the significance of Tsiolkas’s intellectual contribution to Australian public life. As such, these articles work across genre, across theories, across national and international borders, and across disciplines in order to make clear Tsiolkas’s contemporary significance. Building on recent book-length studies on the author, including Andrew McCann’s Christos Tsiolkas and the Fiction of Critique: Politics, Obscenity, Celebrity (2015) and my own Christos Tsiolkas: The Utopian Vision (2017), what these articles hold in common is an assertion that Tsiolkas’s fiction and non-fiction always and everywhere serve a political and social purpose. As I have argued elsewhere, Tsiolkas’s writing ultimately suggests the ways in which we can shape a better future for Australia.' (Jessica Gildersleeve : Introduction: Christos Tsiolkas and Contemporary Australia—The Outsider Artist)

    2022
    pg. 45-59
Last amended 6 Apr 2022 08:22:20
45-59 Grotesque Europe : The Gothic Grotesque and Anti-Semitic Stereotypes in Dead Europesmall AustLit logo Journal of Australian Studies
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