Issue Details: First known date: 2020... 2020 Contemporary Historical Fiction and Kate Grenville's A Room Made of Leaves
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'This essay situates the recent return to referentiality and authenticity in contemporary historical fiction in the context of the current climate of global literary culture, which is concerned with ideas of identity, positionality, proximity, and authenticity. This return is guided by a refreshed ethics of literary production, a renewed sense of moral obligation to represent the past truthfully and earnestly, while maintaining postmodernism's skepticism toward the production and construction of historical narratives. Some contemporary historical novels have (re)assumed the responsibility of demonstrating to the general reading public how histories are written and, by extension, propose an ethical and critical engagement with the past that aligns with the shift in political and cultural sensibilities we have witnessed over the past decade. The case study in this essay is A Room Made of Leaves (2020) by Kate Grenville, a critically acclaimed Australian historical novelist.' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Antipodes vol. 34 no. 2 2020 24277486 2020 periodical issue 'This issue marks another significant moment of this journal’s evolution. Just a few years ago, Nicholas Birns moved on from the editor position, after eighteen years of dedicated service. As you can see in this issue, with an interview with Donna Coates, he remains a vital contributor to Antipodes—and behind the scenes, he continues to be a valuable resource for this editor.' (Editorial introduction) 2020 pg. 200-216
Last amended 1 Apr 2022 14:20:42
200-216 Contemporary Historical Fiction and Kate Grenville's A Room Made of Leavessmall AustLit logo Antipodes
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