'Welcome to ABR’s summer-sized first issue of the year. Diaries and letters abound, with Lisa Gorton delving into the final instalment of Helen Garner’s published journals, and Brenda Niall reflecting on Martyn Lyon’s epistolary collection of letters sent to Robert Menzies during his prime ministership. In poetry, ABR is delighted to publish the stunning poems shortlisted for the 2022 Peter Porter Poetry Prize, as well as reviews of new collections by Tracy K. Smith, A. Frances Johnson, and David Musgrave. Elsewhere, in historical musings, Mark McKenna looks at Doug Munro’s chronicle of the scandalous stand-off between publisher Peter Ryan and historian Manning Clark. And in fiction we have reviews of new works by John le Carré, Louise Erdrich, Hannah Kent, and Wole Soyinka. Plus much more!' (Publication summary)
'Letter writing thrives on distance. Out of necessity, in the early years of European settlement, Australia became a nation of letter writers. The remoteness of the island continent gave the letter a special importance. Even those unused to writing had so much to say, and such a strong need to hear from home, that the laborious business of pen and ink and the struggles with spelling were overcome. Early letters reflected the homesickness of settlers as well as their sense of achievement and their need to hold on to a former life. It’s possible to see the emergence of a democratic tradition of letter writing in those needful times. Rich or poor, well educated or semi-literate, they all felt the urge to connect.' (Introduction)
'It was one of the most notorious episodes in the annals of Australian publishing. In September 1993, writing in Quadrant, Peter Ryan, the former director of Melbourne University Press (1962–87), publicly disowned Manning Clark’s six-volume A History of Australia. Clark had been dead for barely sixteen months. For scandalous copy and gossip-laden controversy, there was nothing to equal it, particularly when Ryan’s bombshell was dropped into a culture that was already polarised after more than a decade of the History Wars.' (Introduction)
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'‘Wasn’t sexual expression a principal motivation of gay and queer dancefloors … Isn’t that the freedom we were fighting for? To be kinky dirty fuckers, without shame; to not sanitise ourselves in the bid for equality?’ So exhorts DJ Lanny K in 2013, reflecting on his time spinning discs at down-and-out pubs in ungentrified Surry Hills in the mid-1990s as part of Sydney’s fomenting queer subculture. Lanny K, Sydney-based Canadian immigrant, is one of a handful of artists – performance artists, dancers, even a tattooist – interviewed by Fiona McGregor in her collection of essays Buried Not Dead. Mostly written between 2013 and 2020, each essay is based on a rolling interview with an artist and draws out their recollections of early practices and careers, several united by reference to a specific time and place – Sydney’s emergent gay scene in the mid-1990s.' (Introduction)
