'Buried Not Dead is a collection of writings on art, literature and performance, sexuality, activism and the life of the city. In these essays, written over twenty-five years, Fiona McGregor documents performance artists, writers, dancers, tattooists and DJs, some of them famous, like Marina Abramović and Mike Parr, while others, like Latai Taumoepeau, Lanny K and Kathleen Mary Fallon, are less well known. In capturing these figures and the scenes they inhabit, McGregor offers an expansive archive of art and life of a kind rarely recorded in our histories.
'Fiona McGregor’s immersion in her subject matter comes from a deep and enduring involvement in the worlds she represents. She came of age as an artist during an outpouring of performative queer culture, in a community that celebrated subversion, dissent and uninhibited partygoing, and in her writing she observes the shift from that moment towards new forms of cultural repressiveness. McGregor is a participant in her essays as well as a witness – she sees through an artist’s eyes and records what she perceives with a novelist’s insight. In excavating the lives of others, she reveals her own, and shows the possibilities that rest beneath the surface of our culture.' (Publication summary)
'Buried Not Dead is a collection of essays from across the career of the brilliant Sydney writer and performance artist Fiona Kelly McGregor. I first read it in 2021 (I think), though recalled that I’d read some of the essays before when they first appeared in places like Overland or the (now defunct) performing arts magazine RealTime.' (Introduction)
'‘Wasn’t sexual expression a principal motivation of gay and queer dancefloors … Isn’t that the freedom we were fighting for? To be kinky dirty fuckers, without shame; to not sanitise ourselves in the bid for equality?’ So exhorts DJ Lanny K in 2013, reflecting on his time spinning discs at down-and-out pubs in ungentrified Surry Hills in the mid-1990s as part of Sydney’s fomenting queer subculture. Lanny K, Sydney-based Canadian immigrant, is one of a handful of artists – performance artists, dancers, even a tattooist – interviewed by Fiona McGregor in her collection of essays Buried Not Dead. Mostly written between 2013 and 2020, each essay is based on a rolling interview with an artist and draws out their recollections of early practices and careers, several united by reference to a specific time and place – Sydney’s emergent gay scene in the mid-1990s.' (Introduction)
'McGregor’s Buried Not Dead is a passionately alive and lively essay collection.'
'‘Wasn’t sexual expression a principal motivation of gay and queer dancefloors … Isn’t that the freedom we were fighting for? To be kinky dirty fuckers, without shame; to not sanitise ourselves in the bid for equality?’ So exhorts DJ Lanny K in 2013, reflecting on his time spinning discs at down-and-out pubs in ungentrified Surry Hills in the mid-1990s as part of Sydney’s fomenting queer subculture. Lanny K, Sydney-based Canadian immigrant, is one of a handful of artists – performance artists, dancers, even a tattooist – interviewed by Fiona McGregor in her collection of essays Buried Not Dead. Mostly written between 2013 and 2020, each essay is based on a rolling interview with an artist and draws out their recollections of early practices and careers, several united by reference to a specific time and place – Sydney’s emergent gay scene in the mid-1990s.' (Introduction)
'McGregor’s Buried Not Dead is a passionately alive and lively essay collection.'
'Buried Not Dead is a collection of essays from across the career of the brilliant Sydney writer and performance artist Fiona Kelly McGregor. I first read it in 2021 (I think), though recalled that I’d read some of the essays before when they first appeared in places like Overland or the (now defunct) performing arts magazine RealTime.' (Introduction)
