y separately published work icon PAN periodical issue   peer reviewed assertion
Issue Details: First known date: 2020... no. 15 2020 of PAN est. 2000 PAN
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AbstractHistoryArchive Description

'As I write the editorial for this our fifteenth issue of the journal, species interconnectedness and global vectors have been brought into fresh relief that the editors of our fourteenth issue could not have imagined.'

Source : Editorial introduction

Notes


  • Only literary material within AustLit's scope individually indexed. Other material in this issue includes:

    The Persistence of Plastic : Environmental Public Art and Micro-Plastic Pollution by Robyn Glade-Wright

    The Nature Spirits Were Always Shy : Continuing the Polylogue by Geoff Barry

    A Whole Forest of Oaks, the Island in the River, the Fire and the Bees of the Goddess : What Isis Said by Etain Addey

    Snæfellsjökull by Peter Reason

    Introduction, 'Wireweed', 'Mitten Crab', 'Wakame Watch' by Vera Fibisan

    Book Review : Australian Wetland Culture : Swamps and the Environmental Crisis (John Charles Ryan, Li Chen, eds.) by Sandra Wooltorton and Len Collard

Contents

* Contents derived from the 2020 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Feeling and Hearing Country, Anne Poelina , Sandra Wooltorton , Sandra Harben , Len Collard , Pierre Horwitz , David Palmer , single work criticism

'Dinah Norman a-Marrngawi explained that her Country cannot hear English, it can only hear Yanyuwa. We support Dinah’s position – because the English language underpins the Australian colonial project, and has been used to separate, ignore and take from Country, her peoples and their knowledges. Country responds to people, however, for example when there is empathic, creative communication and engagement with landscapes, and when liyan and wirrin is the basis for human and ecological wellbeing. We propose a practice for people new to this participation; of ‘becoming family with place’. It integrates four ways of knowing, to celebrate an ontopoetic for Country that is experiential, creative, propositional and participative – a post-conceptual knowing for human flourishing. It is for coming home to Country, and is for learning and educational purposes.'

Source : Introduction

(p. 6-15)
Poetry, Philosophy Activism Nature 15, Tom Bristow , single work criticism (p. 45-48)
Requesti"This summer when I won’t be there", Tracy Ryan , single work poetry (p. 49-50)
(H)edgesi"Unnatural remnant", Tracy Ryan , single work poetry (p. 51-52)
Bird Deathi"An upturned bird on the cobblestones in the alleyway behind my office today, a", Prithvi Varatharajan , single work poetry (p. 53)
Bushfires and Driza-bones, Prithvi Varatharajan , single work poetry (p. 54)
Floods in Chennaii"A phone call from Adelaide as I’m buying cherries and peaches after a swim. ‘Do", Prithvi Varatharajan , single work poetry (p. 55)
Coastal Idylli"A crescent beach, flour-white sand,", Luke Fischer , single work poetry (p. 60-61)
Mountainous Islandi"You might think it nostalgic", Luke Fischer , single work poetry (p. 61-63)
Our Timesi"Who, with an open heart, unflinching gaze", Luke Fischer , single work poetry (p. 63-64)
On the Organic Form of Arti"There are those who don’t believe you", Luke Fischer , single work poetry (p. 64-66)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 10 Jun 2021 12:27:01
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