'A friend and I are fans of Nick Cave’s iconoclastic band of the early 1980s The Birthday Party. Part of our enjoyment is that we find Cave’s vocal and lyrical posturing hilarious at times. In songs like ‘Release The Bats’ and ‘Hamlet (Pow Pow Pow)’ his shrieks are both terrifying and absurd. At such moments, my friend will occasionally address the stereo with something like, ‘you’re not fooling anyone Nick, we know you’re a good private schoolboy!’' (Introduction)