'Geoffrey Robertson is disillusioned. The world-famous barrister has, at 74, lost his belief in the effectiveness of international law. “I have not lost faith in the ICC [International Criminal Court]. I still think it’s necessary,” he tells me by phone from London, his voice more redolent of duty than of conviction. “But its catchment area is quite small...”' (Introduction)
'Dan Spielman’s acting career began when he was still at high school, when he started working with the acclaimed indie company The Keene/Taylor Theatre Project in the 1990s.' (Introduction)
'A “non-place”, as Marc Augé describes in his 1995 essay-turned-book Non-Places: Introduction to an Anthropology of Supermodernity, is a venue whose uniformity of design makes it indistinguishable from another, regardless of where you are in the world. One can think of shopping centres, supermarkets and airports as non-places, although more recently we can also include cafes, Airbnbs and social media profiles. In Augé’s view, a non-place is a “supermodernism” that has emerged out of globalisation, resulting in “places of memory” that are unbroken chains. These places become so familiar they eventually become socially estranging.' (Introduction)
'“They said: ‘Keep that boy at arm’s length’. But whose arm? The arm of an orangutan, a giant squid, a Tyrannosaurus rex?” These lines from Chloe Wilson’s short story collection Hold Your Fire could be a response to the standard advice given to girls on how to ward off unwanted sexual advances. It’s the kind of advice that puts the onus on victims, so that the body they’re trying to protect – their own – somehow, monstrously, becomes both predator and prey, a hostile, turbulent force that they must spend their entire lives keeping under tight control.' (Introduction)
'“The shape of sound” is not just a metaphor. Sound is literally shapely. It’s physical, forceful; it can be overwhelming. Fiona Murphy’s debut memoir reminds us that while the “prevailing assumption is that deaf people hear nothing ... I feel sound rolling over my skin. I see it shimmer off other faces. I taste it in my mouth. Sometimes, it is all too much.”' (Introduction)
'Chris Hemsworth has been forced to film at a Gold Coast convention centre, such is the demand for sound stages in Australia. Next month, the Thor actor’s adopted home in Byron Bay will be invaded by Netflix’s Byron Baes, the streaming giant’s first Australian reality TV series, which has stirred controversy with locals and made headlines around the world. All around the country, it seems, the film and television industry is experiencing a gold rush. At least at first glance.'(Introduction)
