'A novel that punches you in the heart: the powerful, unbearably moving and ultimately uplifting story of twin brothers, Jon and Eden, as they grow up and begin to understand what it is to be men, and what it takes to knit a fractured family back together.
''We were sons, we were brothers. I didn't know how to be either.'
'This is a story about love. About the love that nine-year-old twins Jon and Eden Hardacre have for their mum, for the creek that they swim in, for each other – this is the love that they trust, that's clear and pure as sunlight, as honey, as water.
'But in the wake of a terrible accident, the boys have to grow up fast. They compete with each other to make the Olympic Games swimming squad, fall in love with the same girl, and begin to realise how complicated love can be and how it doesn't always show itself in the ways that we expect.
'Heart-hammeringly original, intense and deeply moving, We Were Not Men is a powerhouse of a novel about all the various faces that love shows us and how sometimes, distracted by life, ambition or attraction, we take it for granted until it's too late – or almost too late. An unforgettable novel that pulses with grief, revelation, hope and love.'
Source : publisher's blurb
'One of the hardest challenges for a novelist is to write a story for adults from the point of view of a child. In 1847, Charlotte Brontë set the bar high with Jane Eyre, the first novel to achieve this. The story ends when Jane is a woman but commences with the child Jane’s perspective. So effective for readers was Brontë’s ground-breaking feat that Charles Dickens decided to write Great Expectations in the voice of the child Pip, after just hearing about Jane Eyre, even before reading it.' (Introduction)
'Thirty years in the works, Mattinson’s fiction debut tells the story of two twins touched by trauma – and the grandmother seeing them through.'
'Thirty years in the works, Mattinson’s fiction debut tells the story of two twins touched by trauma – and the grandmother seeing them through.'
'One of the hardest challenges for a novelist is to write a story for adults from the point of view of a child. In 1847, Charlotte Brontë set the bar high with Jane Eyre, the first novel to achieve this. The story ends when Jane is a woman but commences with the child Jane’s perspective. So effective for readers was Brontë’s ground-breaking feat that Charles Dickens decided to write Great Expectations in the voice of the child Pip, after just hearing about Jane Eyre, even before reading it.' (Introduction)
