Issue Details: First known date: 2020... 2020 Behaviours in a Peer-only Creative Writing HDR Support Group : the Experiences of Two Students of Colour
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'The experience of the creative writing higher degree research student is unique. The practice-led methodology many candidates apply to their research differs significantly to that of other disciplines, even those arts disciplines where practice is the focus of the research. Student life is further complicated by the need not only to be working towards research publication, but creative publication too. In some instances, feelings of isolation can contribute to HDR students failing to complete their studies. For women of colour, the need for counterspaces in the academy is also apparent. This reflective paper examines and discusses how a peer-only, diverse, horizontalised group facilitates the development of a sense of belonging and critical ‘disappearing’ relational behaviours that sit outside formal, academic supervisory interaction. Of particular importance in this reflection comes from the perspective of two students of colour. Through conversation with these two current members of the group, this paper discusses the behaviours and outcomes of peer-only support groups for HDR students in creative writing. It examines why HDR students of colour may prefer to seek support outside of the predominantly white formal structures that characterise the academy in Australia, and how such groups could potentially create effective counterspaces for students of colour.' (Publication abstract)

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    y separately published work icon TEXT Special Issue Website Series Creating Communities : Collaboration in Creative Writing and Research no. 59 October Lee McGowan (editor), Alex Philp (editor), Ella Jeffery (editor), 2020 20756512 2020 periodical issue 'An Early Career Researcher (ECR), a Higher Degree Research (HDR) candidate and an older researcher walk into a bar … a cliché perhaps, but we are keenly aware that this is all too often how discussions of collaborative endeavours begin. We are confident it is how a number of the contributions in this Special Issue began – the creation of informal spaces, opportunities and networks to make it possible is the focus of at least one article. The idea for a TEXT Special Issue centred on collaboration emerged when we, as three creative writing academics in different stages of our careers, began discussing not only how we collaborated, but why we did (or did not) do it. Our discussions ranged from the collaborative process as a means to build capacity, academic employability, and a research profile; to produce a sense of belonging in HDR communities; and to the deeply rewarding though at times challenging nuances of working with colleagues who are also friends. Collaborative endeavours raise questions of opportunity and innovation, and of power shifts and hierarchies, as well as of what we value as practitioners. The increasing pressure to publish placed on academics in all stages of their careers by both our institutions and the broader research environment demands further considerations. Questions raised in our early discussions are centred in this Special Issue. We ask: How does collaboration in our patch of the academy work? What are the possible benefits and challenges of collaborative practice? How do we build creative writing communities in the academy, and why should we?' (Lee McGowan, Alex Philp and Ella Jeffery, Introduction) 2020
Last amended 28 Aug 2024 13:55:11
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