'Inspired by Robert Dixon's volumes on visual culture, colonial modernity and the Pacific, this article argues for a distinctive refugee imaginary in media witnessing and documentary cinema in the South, focussing on Eva Orner's 'Chasing Asylum' and two documentaries by Behrouz Boochani: 'Chauka' (with Arash Kamali Sarvestani) and 'Remain' (with Hoda Afshar).' (Publication abstract)