'I first came across the cultural policy work of Julian Meyrick and Tully Barnett through their provocatively titled scholarly article in Cultural Trends, ‘Culture Without “World”: Australian Cultural Policy in the Age of Stupid.’ I found the authors’ clear-eyed assessment of recent problems with Australian arts and cultural policy provocative, courageous and intelligent. Julian Meyrick’s background as an Australian theatre professional, coupled with his cultural policy expertise, compliments Tully Barnett’s expertise in digital humanities and literary studies well: the result is literate, inventive and energetic scholarly work. I wanted to read more like it.' (Introduction)