Issue Details: First known date: 2020... vol. 34 no. 3 2020 of Continuum : Journal of Media and Cultural Studies est. 1987 Continuum : Journal of Media and Cultural Studies
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AbstractHistoryArchive Description

'In the communicative spaces of digital media with their expanded base of user participation, emotions or the social circulation of feelings play a crucial role in the manner in which political positions are articulated and everyday negotiations with politics are performed. The articles in this Special Issue stem from an international workshop held in July 2017 at the University of Amsterdam titled ‘Emotions, political work and participatory media’, where participants working on diverse regions spoke about social media and the role of affect and emotions in the facilitation of politically engaged publics. In this Special Issue, politics emerges in community networks as well as in networks based on an abiding interest in matters of national interests. Both kinds of networks are affective (bound by sentiments of solidarity and belonging) and do deeply political work, in that their performances and interactions concern matters of community building but also identity formation.' (Introduction)

Notes

  •  Contents indexed selectively.

Contents

* Contents derived from the 2020 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Review of What Matters? Talking Value in Australian Culture, Julienne Van Loon , single work review
— Review of What Matters? Talking Value in Australian Culture Julian Meyrick , Robert Phiddian , Tully Barnett , 2018 multi chapter work criticism ;

'I first came across the cultural policy work of Julian Meyrick and Tully Barnett through their provocatively titled scholarly article in Cultural Trends, ‘Culture Without “World”: Australian Cultural Policy in the Age of Stupid.’ I found the authors’ clear-eyed assessment of recent problems with Australian arts and cultural policy provocative, courageous and intelligent. Julian Meyrick’s background as an Australian theatre professional, coupled with his cultural policy expertise, compliments Tully Barnett’s expertise in digital humanities and literary studies well: the result is literate, inventive and energetic scholarly work. I wanted to read more like it.' (Introduction)

(p. 468-470)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 4 Aug 2020 09:15:46
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