Issue Details: First known date: 2019... 2019 Creative Duoethnography : A Collaborative Methodology for Arts Research
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AbstractHistoryArchive Description

'Duoethnography is a dialogic methodology originally developed for social, health, and educational research (Sawyer & Norris 2015). In duoethnography, co-researchers actively question both their collaborator(s) and themselves, seeking to reperceive issues from different angles, thereby looking to and beyond the peripheries of what is known and how. Our essay argues the benefits of duoethnography for creative arts research. Drawing on our reading of relevant scholarly literature, and on learning gleaned through past and ongoing duoethnographic collaborations, we begin by considering collaborative research writing broadly, including related and alternative approaches. Then we outline duoethnography’s history and defining features, before relating our use of duoethnography in our collaborative research. A key feature of our approach is that we weave scenes with fictionalised characters into our main duoethnographic dialogue. In this article, we share our process, intending to provide insights relevant to creative arts academics also interested in collaborative research approaches.' (Publication abstract)
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon TEXT Special Issue Website Series Peripheral Visions no. 57 October Deborah Hunn (editor), Ffion Murphy (editor), Catherine Noske (editor), Anne Surma (editor), 2019 18271319 2019 periodical issue

    'Official language smitheryed to sanction ignorance and preserve privilege is a suit of armor polished to shocking glitter, a husk from which the knight departed long ago. Yet there it is: dumb, predatory, sentimental. Exciting reverence in schoolchildren, providing shelter for despots, summoning false memories of stability, harmony among the public. (Morrison 1993)

    'These lines, drawn from novelist, essayist, and teacher Toni Morrison’s 1993 Nobel lecture, offer a vivid description of the kinds of rhetoric dominating our public, professional, and even our cultural spaces today, although the cracks are beginning to show, and we would be hard pressed to claim that ‘harmony’ prevails.' (Deborah Hunn, Ffion Murphy, Catherine Noske and Anne Surma, Introduction)

    2019
Last amended 28 Aug 2024 13:25:50
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