y separately published work icon Overland [Online] periodical issue  
Issue Details: First known date: 2019... October 2019 of Overland [Online] est. 2011 Overland [Online]
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Contents

* Contents derived from the 2019 version. Please note that other versions/publications may contain different contents. See the Publication Details.
On Audiobooks and Literature in the Post-digital Age, Millicent Weber , single work essay

'Audible Australia’s 2019 advertising campaign combined political satire with a quintessentially Australian brand of self-mocking. It used this lens to poke fun at Australian speakers and Australian slang – public figures like Magda Szubanski, and popular (and popularly derided) vernaculars. Think ‘yeah, nah, nah, yeah’. In broad terms, Audible’s ad promotes how audiobooks fit neatly around the edges of a busy life, while still upholding the intellectual superiority of books over other forms of cultural leisure.' (Introduction)

Dirt Music and the ‘Unfilmable’ Novel, Alexandra Heller-Nicholas , single work column

'It’s been a decade since acclaimed Australian filmmaker Phillip Noyce was first linked to a film adaptation of Tim Winton’s 2001 novel Dirt Music. Winner of the Miles Franklin Award and short-listed for the Booker Prize, the book was a prime candidate for the big screen, and the perceived cultural value of the project is reflected in the A-list names who became attached to it at different times during its long development history – including Rachel Weisz, Nicole Kidman, Russell Crowe, Colin Farrell and the late Heath Ledger.' (Introduction)

Woodheaps and Chopping Blocks : Talking to Leah Purcell, Leticia Cáceres and Stephen Curtis about The Drover’s Wife, Demelza Hall (interviewer), single work interview

'This interview with some of the cast and crew of Belvoir Street Theatre’s 2016 production of The Drover’s Wife – including Goa-Gunggari-Wakka Wakka Murri writer and actor, Leah Purcell, director, Leticia Cáceres, and set designer, Stephen Curtis – was conducted via a series of emails, text messages, and transcribed phone conversations during 2018 and 2019. Inspired by my ongoing conversations with Leah’s manager and partner Bain Stewart, I have chosen to present these interviews as an overlapping Q&A session in order to capture the intensely collaborative nature of the production and bring together the various processes and values that informed the adaptation of this classic Australian text.' (Introduction)

October in Fiction, Michalia Arathimos , single work review
— Review of Act of Grace Anna Krien , 2019 single work novel ; Songspirals : Sharing Women's Wisdom of Country through Songlines Gay'wu Group of Women , 2019 single work prose ;

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 14 Nov 2019 08:07:33
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