'New Australian Fiction is a collection of eighteen stories from some of Australia's best and brightest writers of short fiction. Featuring stories from: Chloe Michele, Jack Kirne, Julie Koh, Craig Cormick, Andrea Gillum, Tony Birch, Laura Elizabeth Woollett, Josh Kemp, Zoë Bradley, Allee Richards, Khalid Warsame, Mikaella Clements, A.S. Patrić, Melanie Saward, Laura Elvery, Gretchen Shirm, Wayne Marshall, Anne Hotta.' (Publication summary)
'There is an elusive element to selecting and editing fiction. We are all creatures of taste; it follows, therefore, that we have particular tastes in our reading to.' (Introduction)
'Within the pages of the first short-fiction collection from Australian literary journal Kill Your Darlings, we are transported to a series of engrossing micro-worlds. Editor Rebecca Starford writes in the introduction that “stories offer a way to explore the most urgent issues of our time”. Indeed, these 18 stories are tied to the concerns of 2019, from the everyday to the more abstract and unabashedly political.' (Introduction)
'There is an elusive element to selecting and editing fiction. We are all creatures of taste; it follows, therefore, that we have particular tastes in our reading too.'
'There is an elusive element to selecting and editing fiction. We are all creatures of taste; it follows, therefore, that we have particular tastes in our reading to.' (Introduction)
'Within the pages of the first short-fiction collection from Australian literary journal Kill Your Darlings, we are transported to a series of engrossing micro-worlds. Editor Rebecca Starford writes in the introduction that “stories offer a way to explore the most urgent issues of our time”. Indeed, these 18 stories are tied to the concerns of 2019, from the everyday to the more abstract and unabashedly political.' (Introduction)
'There is an elusive element to selecting and editing fiction. We are all creatures of taste; it follows, therefore, that we have particular tastes in our reading to.' (Introduction)
'There is an elusive element to selecting and editing fiction. We are all creatures of taste; it follows, therefore, that we have particular tastes in our reading too.'
