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'After heartbreak and trauma, Caleb Zelic is beginning to rebuild his life. He has a new home, a new business and the chance of a happy love life. But people in power have other ideas. Caleb's double-crossing business partner, Frankie, has something they want, and they're after Caleb to get it. On the hunt for Frankie and information, Caleb is drawn into a world of high-level corruption and dark political deals. The secrets he uncovers could endanger him and everything he holds dear.'
Source: Publisher's blurb.
Writing Disability in Australia:
| Type of disability | Profound deafness. |
| Type of character | Primary. |
| Point of view | Third person. |
'The third thriller in the Caleb Zelic series portrays Caleb’s deafness skilfully but relies too much on its predecessors.'
'Emma Viskic blazed onto the literary crime fiction scene in 2015 with the private investigator Caleb Zelic. The character of Caleb has been deaf since a childhood bout of meningitis from which he never fully recovered. In many ways the author works within the chalk-marked outlines of crime fiction tropes – a dead body in the opening pages and the usual tortuous paths of sleuthing before truth and enlightenment – but Caleb’s deafness adds complexity, and at times an unexpected frisson, to the classic detective story.' (Introduction)
'Emma Viskic blazed onto the literary crime fiction scene in 2015 with the private investigator Caleb Zelic. The character of Caleb has been deaf since a childhood bout of meningitis from which he never fully recovered. In many ways the author works within the chalk-marked outlines of crime fiction tropes – a dead body in the opening pages and the usual tortuous paths of sleuthing before truth and enlightenment – but Caleb’s deafness adds complexity, and at times an unexpected frisson, to the classic detective story.' (Introduction)
'The third thriller in the Caleb Zelic series portrays Caleb’s deafness skilfully but relies too much on its predecessors.'
