'Some writing teaches you possibility. Possibility in a number of ways: seeing yourself reflected in a body of work, echoing familiar words, places, or ideas; some writing is a lesson about form, or acts as an overall object to aspire to. When I picked up a copy of Lemons in the Chicken Wire by Alison Whittaker, I saw for the first time a young queer Aboriginal woman subverting the form of poetry in a way that resonated with me. Yet Alison’s writing followed a lineage of other Aboriginal poets, and from reading her work I went on to find Samuel Wagan Watson, Ali Cobby Eckermann and Lionel Fogarty. These significant discoveries alongisde Lemons showed me how lyrical poetry could be reshaped in Aboriginal ways, encouraging and challenging my own writing. It felt like insurgency into Western ways of reading and writing.' (Introduction)