image of person or book cover 6514480254782476797.jpg
This image has been sourced from online.
y separately published work icon Australianama : The South Asian Odyssey in Australia multi chapter work   criticism   poetry   prose   biography  
Issue Details: First known date: 2019... 2019 Australianama : The South Asian Odyssey in Australia
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Australian deserts remain dotted with the ruins of old mosques. Beginning with a Bengali poetry collection discovered in a nineteenth-century mosque in the town of Broken Hill, Samia Khatun weaves together the stories of various peoples colonised by the British Empire to chart a history of South Asian diaspora.

'Australianama (The Book of Australia) composes a history of Muslims in Australia through Sufi poetry, Urdu travel tales, Persian dream texts and Arabic concepts, as well as Wangkangurru song-poetry, Arabunna women's stories and Kuyani histories, leading readers through the rich worlds of non-white peoples that are missing from historical records. Khatun challenges a central idea that powerfully shapes history books across the Anglophone world- that European knowledge traditions are superior to the epistemologies of the colonised. Arguing that Aboriginal and South Asian language sources are keys to the vast, complex libraries that belie colonised geographies, Australianama shows that stories in colonised tongues can transform the very ground from which we view past, present and future.' (Introduction)

Notes

  • Epigraph:

    Wild Flowers

    Mallets pound fence posts
    in tune with the rifles
    to mask massacre sites

    Cattle will graze
    sheep hooves will scatter
    children's bones

    Wildflowers will not grow
    where the bone powder
    lies

    -Ali Cobby Eckermann

    Kami, 2010

Publication Details of Only Known VersionEarliest 2 Known Versions of

Other Formats

Works about this Work

[Review] 'Australianama : The South Asian Odyssey in Australia' Tandee Wang , 2021 single work review
— Appears in: Australian Aboriginal Studies , January no. 1 2021; (p. 72-74)

— Review of Australianama : The South Asian Odyssey in Australia Samia Khatun , 2019 multi chapter work criticism poetry prose biography

'Although primarily ‘a history of South Asian diaspora in Australia’ (p 4), a significant part of the scholarly innovation promised by Samia Khatun’s Australianama relies on what the author suggests she does with Aboriginal histories. Namely, Khatun claims to develop ‘techniques for writing histories of migration that refuse to participate in the ongoing discursive erasure of Aboriginal peoples’ (p 19). To achieve this, she connects the experiences of South Asian migrants and Aboriginal peoples as subjects whose epistemologies as ‘colonised peoples’ (p 8) are systematically devalued by European Enlightenment modes of thinking. Treating those subjugated knowledges seriously, Khatun suggests, offers radical possibilities for responding to our ‘contemporary moment of escalating racism’ (p 23) by ‘render[ing] visible alternative axes along which we might glimpse new beginnings’ (p 24). This is a text, in other words, that not only recapitulates the now very familiar critique of Enlightenment epistemes, but actively attempts to suggest and model another way to write history.'  (Introduction)

Australianama : The South Asian Odyssey in Australia Suvendrini Perera , 2021 single work review
— Appears in: Australian Historical Studies , vol. 52 no. 1 2021; (p. 127-128)

— Review of Australianama : The South Asian Odyssey in Australia Samia Khatun , 2019 multi chapter work criticism poetry prose biography
'The autobiographical opening of Samia Khatun's book takes us back to the year 2008, to a psychiatric ward in outer Sydney, where the author's mother, Eshrat, a Muslim migrant from Bangladesh, is locked up in her room by night with a fellow inmate, a uniformed soldier from the Holdsworthy Barracks, newly returned from the front in Afghanistan. Eshrat, all too aware of the fate of thousands of fellow Muslims murdered by Australian forces in Afghanistan, begins to experience terrifying visions of her Quran melting before her eyes.' (Introduction)
Review : Australianama: The South Asian Odyssey in Australia Tony Hughes-d'Aeth , 2020 single work review
— Appears in: Australian Humanities Review , December no. 67 2020;

— Review of Australianama : The South Asian Odyssey in Australia Samia Khatun , 2019 multi chapter work criticism poetry prose biography
Samia Khatun Offers New Pathways to the Past Heather Goodall , 2019 single work review
— Appears in: History Australia , vol. 16 no. 3 2019; (p. 583-585)

— Review of Australianama : The South Asian Odyssey in Australia Samia Khatun , 2019 multi chapter work criticism poetry prose biography

'This is a compelling book, not only because of its lucid prose and deep research, but because of the intensely personal story threaded through its pages.' (Introduction)

Samia Khatun : Australianama Justine Hyde , 2019 single work review
— Appears in: The Saturday Paper , 24-30 August 2019;

— Review of Australianama : The South Asian Odyssey in Australia Samia Khatun , 2019 multi chapter work criticism poetry prose biography

'Bangladeshi Australian author Samia Khatun’s Australianama is a book of books, a survey of divergent modes of historical storytelling, and a search for truth in the face of cultural erasure. It opens with Khatun visiting her mother, Eshrat, in a mental health ward in Sydney’s suburbs. Plagued with terrifying visions in Bengali, Eshrat is locked each night in a shared room with a uniformed Australian soldier – recently returned from Afghanistan – who she believes will murder her in her sleep. With the hospital refusing to relocate her mother, Khatun comprehends an irresolvable dissonance: “Western states cannot bomb, exploit, drone, invade and kill South Asians andhave us as part of their citizenry at the same time.” She laments, “The migrant story I had inhabited for much of my life buckled, and eventually collapsed.” This acts as the catalyst for Khatun’s expansive history of the South Asian diaspora in colonial Australia.' (Introduction)

Samia Khatun : Australianama Justine Hyde , 2019 single work review
— Appears in: The Saturday Paper , 24-30 August 2019;

— Review of Australianama : The South Asian Odyssey in Australia Samia Khatun , 2019 multi chapter work criticism poetry prose biography

'Bangladeshi Australian author Samia Khatun’s Australianama is a book of books, a survey of divergent modes of historical storytelling, and a search for truth in the face of cultural erasure. It opens with Khatun visiting her mother, Eshrat, in a mental health ward in Sydney’s suburbs. Plagued with terrifying visions in Bengali, Eshrat is locked each night in a shared room with a uniformed Australian soldier – recently returned from Afghanistan – who she believes will murder her in her sleep. With the hospital refusing to relocate her mother, Khatun comprehends an irresolvable dissonance: “Western states cannot bomb, exploit, drone, invade and kill South Asians andhave us as part of their citizenry at the same time.” She laments, “The migrant story I had inhabited for much of my life buckled, and eventually collapsed.” This acts as the catalyst for Khatun’s expansive history of the South Asian diaspora in colonial Australia.' (Introduction)

Samia Khatun Offers New Pathways to the Past Heather Goodall , 2019 single work review
— Appears in: History Australia , vol. 16 no. 3 2019; (p. 583-585)

— Review of Australianama : The South Asian Odyssey in Australia Samia Khatun , 2019 multi chapter work criticism poetry prose biography

'This is a compelling book, not only because of its lucid prose and deep research, but because of the intensely personal story threaded through its pages.' (Introduction)

Review : Australianama: The South Asian Odyssey in Australia Tony Hughes-d'Aeth , 2020 single work review
— Appears in: Australian Humanities Review , December no. 67 2020;

— Review of Australianama : The South Asian Odyssey in Australia Samia Khatun , 2019 multi chapter work criticism poetry prose biography
Australianama : The South Asian Odyssey in Australia Suvendrini Perera , 2021 single work review
— Appears in: Australian Historical Studies , vol. 52 no. 1 2021; (p. 127-128)

— Review of Australianama : The South Asian Odyssey in Australia Samia Khatun , 2019 multi chapter work criticism poetry prose biography
'The autobiographical opening of Samia Khatun's book takes us back to the year 2008, to a psychiatric ward in outer Sydney, where the author's mother, Eshrat, a Muslim migrant from Bangladesh, is locked up in her room by night with a fellow inmate, a uniformed soldier from the Holdsworthy Barracks, newly returned from the front in Afghanistan. Eshrat, all too aware of the fate of thousands of fellow Muslims murdered by Australian forces in Afghanistan, begins to experience terrifying visions of her Quran melting before her eyes.' (Introduction)
[Review] 'Australianama : The South Asian Odyssey in Australia' Tandee Wang , 2021 single work review
— Appears in: Australian Aboriginal Studies , January no. 1 2021; (p. 72-74)

— Review of Australianama : The South Asian Odyssey in Australia Samia Khatun , 2019 multi chapter work criticism poetry prose biography

'Although primarily ‘a history of South Asian diaspora in Australia’ (p 4), a significant part of the scholarly innovation promised by Samia Khatun’s Australianama relies on what the author suggests she does with Aboriginal histories. Namely, Khatun claims to develop ‘techniques for writing histories of migration that refuse to participate in the ongoing discursive erasure of Aboriginal peoples’ (p 19). To achieve this, she connects the experiences of South Asian migrants and Aboriginal peoples as subjects whose epistemologies as ‘colonised peoples’ (p 8) are systematically devalued by European Enlightenment modes of thinking. Treating those subjugated knowledges seriously, Khatun suggests, offers radical possibilities for responding to our ‘contemporary moment of escalating racism’ (p 23) by ‘render[ing] visible alternative axes along which we might glimpse new beginnings’ (p 24). This is a text, in other words, that not only recapitulates the now very familiar critique of Enlightenment epistemes, but actively attempts to suggest and model another way to write history.'  (Introduction)

Last amended 16 Mar 2022 09:47:40
Newspapers:
    Powered by Trove
    X