y separately published work icon Eureka Street periodical issue  
Issue Details: First known date: 2019... vol. 29 no. 10 19 May 2019 of Eureka Street est. 1991- Eureka Street
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the 2019 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Revisiting Iola Mathews' Feminist Battlegrounds, Andrew Hamilton , single work column

'When people describe their part in events of our own life time, they often awaken in us recognition mixed with self-reproach. We recognise how greatly our attitudes have changed, but also that our images of significant people and movements are still tinged with our earlier prejudices.' (Introduction)

The Undoubting Thomasi"I was the Torah vowel, missing until body sang breath", Paul Scully , single work poetry
A Death in Indiai"The kingdom I foretold, greater than his, his edicts", Paul Scully , single work poetry
I Am Not Johni"I've seen them, even from this remove, scour the catacombs", Paul Scully , single work poetry

Epigraph: The Gospel of John mentions the 'disciple whom Jesus loved' in many places but does not identify him nor her. This disciple has received much exegetical attention over the years. Schenke has suggested Thomas as the model for the Beloved Disciple. Charlesworth goes so far to identify him as Thomas.

Where to Next for the Uluru Statement, Kate Galloway , single work column

'The likely return of the Morrison government coincides with the second anniversary of the declaration of the Uluru Statement from the Heart. The commencement of a new term of government also heralds the start of the nuts and bolts work of designing a referendum to implement a Voice to Parliament.' (Introduction)

Brinksmanship, Robert DiNapoli , sequence poetry
The Salienti"Just like the walls of Hadrian or Qin,", Robert DiNapoli , single work poetry
This Is No Simple Case of Right and Wrongi"I have a job to finish. Time grows short.", Robert DiNapoli , single work poetry
Rumblingsi"This doesn't stop with me. My vertigo", Robert DiNapoli , single work poetry
Sentries: The Watchi"I may have years to wait, however sharp", Robert DiNapoli , single work poetry
Meteorologyi"In the end it all comes down to words,", Robert DiNapoli , single work poetry
This Bus Is a TARDIS, Julie Perrin , single work prose

'Saturday 4.50pm. On Melbourne's Punt Rd, bus brakes squeal and huff. The 246 hits a standstill at the Bridge Rd corner. There's a momentary pall of silence on board — only the indicator click-clacks. The bus rests low on its suspension and seems to sigh. I slide across to the window side of my seat and brace myself. I expect noise, heat, irritation. I'd forgotten about the train lines closing for works.'  (Introduction)

Hawkie, for Whom I'd Have Faced Cannon Fire, Moira Rayner , single work obituary

'I told one of my fiercely right-wing Kiwi uncles that if Bob Hawke were elected leader of the ALP I'd follow him through cannon-fire, and surprisingly won his (grudging) respect. For he was a man's man, and so was my then hero.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 25 Jun 2019 13:30:03
Common subjects:
Newspapers:
    Powered by Trove
    X