The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
All Publication Details
-
-
Appears in:
-
y
Voiceworks
no.
89
Winter
2012
16748349
2012
periodical issue
'For a few years I lived in a tiny beachside town six hours from Melbourne. It was the kind of place with postcard-perfect shorelines, mudbrick houses and a prep-to–year twelve college. So, even in a combined classroom, there were only ten other kids in my class, the majority of whom weren’t mad keen on books. These being the dark days of dial-up, whatchya saw was pretty much whatchya got in terms of a peer group – and even worse, selection at the school library. After moving to suburbia, the hourlong train ride into the city felt like teleportation in super-slow motion. The pull of those corporate towers sheltering hidden cafes was physical. Like an undertow or tractor beam. By the time adolescence kicked in proper, I was caught up in a powerful question familiar to all fledgling artists: once you realise you’re a writer, what next? I’d already taught myself to like coffee and some Silvia Plath. Now I wanted more.' (Kat Muscat, Editorial introduction)
2012
pg.
61
-
y
-
* Subscription service. Check your library.
Export this record
