Survivalist Newsletter single work   poetry   "Dear Survivalists,"
Issue Details: First known date: 2012... 2012 Survivalist Newsletter
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Affiliation Notes

  • Preppers and Survivalism in the AustLit Database

    This work has been affiliated with the Preppers and Survivalism project due to its relationship to either prepping or prepper-inflected survivalism more generally, and contains one or more of the following:

    1. A strong belief in some imminent threat
    2. Taking active steps to prepare for that perceived threat

    • A range of activities not necessarily associated with ‘prepping’ take on new significance, when they are undertaken with the express purpose of preparing for and/or surviving perceived threats, e.g., gardening, abseiling.
    • The plausibility of the threat, and the relative “reasonable-ness” of the response, don’t affect this definition. E.g., if someone is worried about climate change and climate disasters, and they respond by moving from a riverbank location in Cairns, or to a highland region of New Zealand, this makes them a prepper. If someone else is worried about brainwashing rays from outer space, and they respond by making a tinfoil hat, that makes them a prepper. 

    3. A character or characters (or text) who self-identify as a ‘prepper’, or some synonymous/modified term: ‘financial preppers’, ‘weekend preppers’, ‘fitness preppers’, etc.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Voiceworks no. 89 Winter 2012 16748349 2012 periodical issue 'For a few years I lived in a tiny beachside town six hours from Melbourne. It was the kind of place with postcard-perfect shorelines, mudbrick houses and a prep-to–year  twelve college. So, even in a combined classroom, there were only ten other kids in my class, the majority of whom weren’t mad keen on books. These being the dark days of dial-up, whatchya saw was pretty much whatchya got in terms of a peer group – and even worse, selection at the school library. After moving to suburbia, the hourlong train ride into the city felt like teleportation in super-slow motion. The pull of those corporate towers sheltering hidden cafes was physical. Like an undertow or tractor beam. By the time adolescence kicked in proper, I was caught up in a powerful question familiar to all fledgling artists: once you realise you’re a writer, what next? I’d already taught myself to like coffee and some Silvia Plath. Now I wanted more.' (Kat Muscat, Editorial introduction) 2012 pg. 9
Last amended 13 Feb 2024 13:45:57
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