Fist Person Feminism single work   essay  
Issue Details: First known date: 2017... 2017 Fist Person Feminism
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'Who would want to be a high-profile feminist in the age of social media? I sometimes find myself thinking this as I scroll through the Facebook and Twitter feeds of well-known feminists that I follow or the comments sections of their columns, awed by both their output (I’m an academic – so my work is slow in comparison) and struck by the high volume of cyber-hate that comes in the wake of even the most benign opinion pieces. Earlier this year, Guardian columnist Jessica Valenti went offline after a troll threatened to rape her young daughter. It’s hardly surprising that she and other ‘professional feminists’, to use Valenti’s own descriptor, sometimes take social media breaks, or that navigating misogyny online is central to the contents of several popular feminist books released in 2016. These include Valenti’s Sex ObjectShrill by Lindy West – and Clementine Ford’s Fight Like a Girl. All of these books are memoirs (more or less), that describe (among many other things) the peculiar experience of being a feminist with a public built online, or as Ford wryly puts it, ‘a man-hating, separatist feminazi hell-bent on installing a matriarchy and imprisoning men as its slaves’.' (Introduction)

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    y separately published work icon The Australian Face : Essays from the Sydney Review of Books James Ley (editor), Catriona Menzies-Pike (editor), Artarmon : Sydney Review of Books Giramondo Publishing , 2017 12141177 2017 anthology essay

    'The Sydney Review of Books is Australia’s leading space for longform literary criticism. Now celebrating five years online, the SRB has published more than five hundred essays by almost two hundred writers. To mark this occasion, The Australian Face collects some of the best essays published in the SRB on Australian fiction, poetry and non-fiction. The essays in this anthology are contributions to the ongoing argument about the condition and purpose and evolving shape of Australian literature. They reflect the ways in which discussions about the state of the literary culture are constantly reaching beyond themselves to consider wider cultural and political issues.

    'The Sydney Review of Books was established in 2013 out of frustration at the diminishing public space for Australian criticism on literature. There’s even less space for literature in our newspapers and broadcast media now. The Sydney Review of Books, however, is thriving, as the essays in The Australian Face show. Here, you’ll read essays on well-known figures such as Christos Tsiolkas, Alexis Wright, Michelle de Kretser and Helen Garner, alongside considerations of the work of writers who less frequently receive mainstream attention, such as Lesbia Harford and Moya Costello.' (Publication summary)

    Artarmon : Sydney Review of Books Giramondo Publishing , 2017
    pg. 205-217
Last amended 30 May 2019 08:02:01
205-217 https://sydneyreviewofbooks.com/fight-like-a-girl-clementine-ford-review/ Fist Person Feminismsmall AustLit logo
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