Cirrus@Austlit

'Picture Trent Dalton sitting on a Brisbane street corner. A typewriter on a folding table in front of him, a hand-made sign stuck to it, upon which is written the words, ‘sentimental writer seeks stories’. Here he is, the most bankable Australian writer of the decade: a storyteller on the street, a man on the tools, a displaced sentimental bloke trying to make sense of twenty-first century life. And this is how he wrote his latest book, a work of non-fiction called Love Stories, the title of which is self-explanatory. Dalton has kept the ecstasy and epiphany dials turned to eleven since the release of Boy Swallows Universe in 2018 – and Australian readers love him.' (Introduction)

'The Sydney Review of Books is Australia’s leading space for longform literary criticism. Now celebrating five years online, the SRB has published more than five hundred essays by almost two hundred writers. To mark this occasion, The Australian Face collects some of the best essays published in the SRB on Australian fiction, poetry and non-fiction. The essays in this anthology are contributions to the ongoing argument about the condition and purpose and evolving shape of Australian literature. They reflect the ways in which discussions about the state of the literary culture are constantly reaching beyond themselves to consider wider cultural and political issues.

'The Sydney Review of Books was established in 2013 out of frustration at the diminishing public space for Australian criticism on literature. There’s even less space for literature in our newspapers and broadcast media now. The Sydney Review of Books, however, is thriving, as the essays in The Australian Face show. Here, you’ll read essays on well-known figures such as Christos Tsiolkas, Alexis Wright, Michelle de Kretser and Helen Garner, alongside considerations of the work of writers who less frequently receive mainstream attention, such as Lesbia Harford and Moya Costello.' (Publication summary)