'Don't worry about the housing bubble, she would say. Don't worry about the fact that you will never be able to afford a home. Worry about the day after. That's when they will all come, with their black shirts and bayonets, and then you will see the drowned bodies and slit necks. And I would stand there and say, But Mum, I'm ten years old.
'Working as a writer hasn't granted Panos the financial success he once imagined, but lobbying against a mosque being built across the road from his home (and the occasional meth-fuelled orgy) helps to pass the time. He's also found himself a gig ghostwriting for a wealthy property developer. The pay cheque alone is enough for him to turn a blind eye to some dodgy dealings - at least for the time being.
'In a world full of flashy consumerism and aspiration, can Panos really escape his lot in life? And does he really want to?'
Source: Publisher's blurb.
'The 2017 Marriage Law Postal Survey marked a historic moment for the gay community in Australia, as it resulted in same-sex unions being recognised under law. For novelists, this historic change served as the impetus to re-evaluate the position of gay men as queer subjectivity became more articulable through the market and was no longer excluded from the social mainstream or, in Marxist terminology, totality. This presents a challenge: how do writers dispense with outdated taxonomies of oppression, while still identifying the unique ways in which those who exist along axes of sexual difference continue to be exploited and oppressed? This article examines The Pillars (2019) by Peter Polites and The Adversary (2020) by Ronnie Scott to identify ways in which this nascent dimension of gay life is being depicted in fiction, arguing that gay fiction in Australia can meaningfully represent, and critique, its relation to capitalism. ' (Publication abstract)
Neurocognitive Interpretations of Australian Literature : Criticism in the Age of Neuroawareness
London
:
Routledge
,
2021
21558011
2021
multi chapter work
criticism
'This unique book on neurocognitive interpretations of Australian literature covers a wide range of analyses by discussing Australian Literary Studies, Aboriginal literary texts, women writers, ethnic writing, bestsellers, neurodivergence fiction, emerging as well as high profile writers, literary hoaxes and controversies, book culture, LGBTIQA+ authors, to name a few. It eclectically brings together a wide gamut of cognitive concepts and literary genres at the intersection of Australian literary studies and cognitive literary studies in the first single-author volume of its kind. It takes Australian Literary Studies into the age of neuroawareness and provides new pathways in contemporary criticism.'
Source: Publisher's blurb.
'I’m re-reading The Pillars in a small box-like room in a high-density apartment block in Kensington (Bunurong Boon Wurrung and Wurundjeri Woi Wurrung lands of the Eastern Kulin Nations) while preparing a guest lecture for third-year architecture students. The apartments are structurally sound, but friends have occasionally commented that they resemble a prison, where long corridors eerily absent of residents look onto a large communal courtyard that is never used. Double security gates reinforce our safety as I wonder what developers imagined they were protecting us from.' (Introduction)
'When Jasbir K. Puar coined the term ‘homonationalism’ in Terrorist Assemblages (2007), she was referring to a liberally-sanctioned queerness that had gained credibility in a post-9/11 world. It was, according to her, a biopolitics that pits a ‘sexual exceptionalism’ of the ‘global gay left’ against ‘perverse, improperly hetero- and homo- Muslim sexualities’. Within homonationalism, there lay the ‘convivial relations’ between queerness and neoliberal tendencies – such as privatisation, militarism, surveillance, deportation and empire – that lean on a nationalistic ‘imagined community’ while hawking an illusory feeling of freedom. Not dissimilar to carceral feminism, homonationalism espouses a quasi-progressive rhetoric that justifies racist, xenophobic and aporophobic positions.' (Introduction)
'In her essay on suburbia, Helen Garner discusses the politics of location in Australia and how real estate, or an acute political sense of place, seems to situate people on the social scale. Back in the 1990s, Helen Garner lived in Sydney’s poshest eastern suburbs (Elizabeth Bay and Bellevue Hill), from which Western Sydney seems to be unaccessible, somewhat too remote to explore, and possibly an eyesore which is best left out of sight. As her essay ends on Gerald Murnane’s tribute to these “lower-middle-class suburbs that no one ever goes to or hears about in the news”(1), Murnane’s recitation of the various modest streets in which he lived in his youth surreptitiously morphs into “a splendid and mysterious poem.”(2) What was perhaps to be primarily taken as a solemn moment of sincerity has been sublimated through Garner’s writing skills. These fine creative skills are largely shared by Peter Polites. Barring the lyrical gloss and sentimentality.' (Introduction)
'The 2019 federal election result confirmed that housing prices, upward mobility, tax cuts, and limited immigration are powerful motivators for Australian voters. Peter Polites’s second novel, The Pillars, with its themes of social and material advancement in Sydney’s western suburbs, captures this spirit of the time perfectly. Pano, the main character, studies people – those better off, more favoured, those who thrive and make it look easy – and wants a better life for himself. Tertiary educated and an avid observer, Pano has studied the habits, codes, dress, and attitudes that will disguise his second-generation Greek migrant status. He knows how to read a room and knows the room is always reading him, right down to his choice of labels, how he grooms himself and his vocabulary.' (Introduction)
'A literary gang is forming. It is made up of writers outside of mainstream White Australia recording their experience of living under its dominion. This new wave is characterised by political urgency and has bloomed alongside, or from within, the identity politics movement.' (Introduction)
'In her essay on suburbia, Helen Garner discusses the politics of location in Australia and how real estate, or an acute political sense of place, seems to situate people on the social scale. Back in the 1990s, Helen Garner lived in Sydney’s poshest eastern suburbs (Elizabeth Bay and Bellevue Hill), from which Western Sydney seems to be unaccessible, somewhat too remote to explore, and possibly an eyesore which is best left out of sight. As her essay ends on Gerald Murnane’s tribute to these “lower-middle-class suburbs that no one ever goes to or hears about in the news”(1), Murnane’s recitation of the various modest streets in which he lived in his youth surreptitiously morphs into “a splendid and mysterious poem.”(2) What was perhaps to be primarily taken as a solemn moment of sincerity has been sublimated through Garner’s writing skills. These fine creative skills are largely shared by Peter Polites. Barring the lyrical gloss and sentimentality.' (Introduction)
'When Jasbir K. Puar coined the term ‘homonationalism’ in Terrorist Assemblages (2007), she was referring to a liberally-sanctioned queerness that had gained credibility in a post-9/11 world. It was, according to her, a biopolitics that pits a ‘sexual exceptionalism’ of the ‘global gay left’ against ‘perverse, improperly hetero- and homo- Muslim sexualities’. Within homonationalism, there lay the ‘convivial relations’ between queerness and neoliberal tendencies – such as privatisation, militarism, surveillance, deportation and empire – that lean on a nationalistic ‘imagined community’ while hawking an illusory feeling of freedom. Not dissimilar to carceral feminism, homonationalism espouses a quasi-progressive rhetoric that justifies racist, xenophobic and aporophobic positions.' (Introduction)
'I’m re-reading The Pillars in a small box-like room in a high-density apartment block in Kensington (Bunurong Boon Wurrung and Wurundjeri Woi Wurrung lands of the Eastern Kulin Nations) while preparing a guest lecture for third-year architecture students. The apartments are structurally sound, but friends have occasionally commented that they resemble a prison, where long corridors eerily absent of residents look onto a large communal courtyard that is never used. Double security gates reinforce our safety as I wonder what developers imagined they were protecting us from.' (Introduction)
'In his second novel, The Pillars, Peter Polites uses Australia’s fixation on home ownership to explore the intersection of race, class and sexuality – as well as a growing conservatism within the queer community. “If you look at the generic images coming out of the queer community, there is a very specific aesthetic going on that’s obviously tied to race and class … You can be a total slut monster but still operate within a hegemonic discursive framework. There’s nothing radical about reinforcing dominant discourse. To me, that’s the opposite of sexual liberation.” By Ronnie Scott.'
'In creating Panos, the main protagonist for his latest novel The Pillars, author Peter Polites took inspiration from notorious gay right-wing troll Milo Yiannopoulos.' (Introduction)
Neurocognitive Interpretations of Australian Literature : Criticism in the Age of Neuroawareness
London
:
Routledge
,
2021
21558011
2021
multi chapter work
criticism
'This unique book on neurocognitive interpretations of Australian literature covers a wide range of analyses by discussing Australian Literary Studies, Aboriginal literary texts, women writers, ethnic writing, bestsellers, neurodivergence fiction, emerging as well as high profile writers, literary hoaxes and controversies, book culture, LGBTIQA+ authors, to name a few. It eclectically brings together a wide gamut of cognitive concepts and literary genres at the intersection of Australian literary studies and cognitive literary studies in the first single-author volume of its kind. It takes Australian Literary Studies into the age of neuroawareness and provides new pathways in contemporary criticism.'
Source: Publisher's blurb.
'The 2017 Marriage Law Postal Survey marked a historic moment for the gay community in Australia, as it resulted in same-sex unions being recognised under law. For novelists, this historic change served as the impetus to re-evaluate the position of gay men as queer subjectivity became more articulable through the market and was no longer excluded from the social mainstream or, in Marxist terminology, totality. This presents a challenge: how do writers dispense with outdated taxonomies of oppression, while still identifying the unique ways in which those who exist along axes of sexual difference continue to be exploited and oppressed? This article examines The Pillars (2019) by Peter Polites and The Adversary (2020) by Ronnie Scott to identify ways in which this nascent dimension of gay life is being depicted in fiction, arguing that gay fiction in Australia can meaningfully represent, and critique, its relation to capitalism. ' (Publication abstract)
