Cirrus@Austlit

'The 2017 Marriage Law Postal Survey marked a historic moment for the gay community in Australia, as it resulted in same-sex unions being recognised under law. For novelists, this historic change served as the impetus to re-evaluate the position of gay men as queer subjectivity became more articulable through the market and was no longer excluded from the social mainstream or, in Marxist terminology, totality. This presents a challenge: how do writers dispense with outdated taxonomies of oppression, while still identifying the unique ways in which those who exist along axes of sexual difference continue to be exploited and oppressed? This article examines The Pillars (2019) by Peter Polites and The Adversary (2020) by Ronnie Scott to identify ways in which this nascent dimension of gay life is being depicted in fiction, arguing that gay fiction in Australia can meaningfully represent, and critique, its relation to capitalism. ' (Publication abstract)